East bay rabbit rescue

Koalas

2011.07.01 03:27 hndspn Koalas

Koalas are rapidly becoming extinct in their most fertile native habitat on the Koala Coast of South East Queensland and Northern NSW. People are often shocked to learn that the koala is in danger. We hope this little corner of reddit can highlight this serious issue facing Australia's most recognisable national icon and the natural heritage in which it thrives.
[link]


2019.03.03 13:57 NewAgeDerpDerp bunnytongues

A place for bunny tongues
[link]


2023.06.03 23:48 Vulcann111 [H] 300+ Games [W] Steam Marketable Items (Cases, Gems, Keys, Skins, Trading Cards etc) and Wishlist

I have multiple copies for most of my games, Trades are mostly based on prices from gg.deals. Please notify me if my keys are not for your personal use (i won't take any responsibility if i wasn't notified) and also please clearly state what you have and want in exchange when making an offer, i have no interest in buying games for Keys/Gems etc. and i also have no interest in Alpha, Beta, Curator, Dev and Non-Steam Keys

Barter.vg Reddit Steam Profile SteamTrades

FUEL (Removed from Steam Store) Magicka: Wizards of the Square Tablet (Removed from Steam Store) Human Resource Machine (Steam Inventory Gift) Operation Flashpoint: Red River (Removed from Steam Store) Leisure Suit Larry in the Land of the Lounge Lizards: Reloaded (Removed from Steam Store) All Zombies Must Die! (Removed from Steam Store) R.I.P.D.: The Game (Removed from Steam Store) ibb & obb (Steam Inventory Gift) Afterfall InSanity Extended Edition (Removed from Steam Store) eXceed - Gun Bullet Children (Removed from Steam Store) eXceed 2nd - Vampire REX (Removed from Steam Store) God Mode (Removed from Steam Store) Gundemonium Recollection (Removed from Steam Store) Hitogata Happa (Removed from Steam Store) Naval War: Arctic Circle (Removed from Steam Store) Red Faction+Red Faction II Red Faction®: Armageddon™+Red Faction Guerrilla Re-Mars-tered+Red Faction Guerrilla Steam Edition Real World Racing (Removed from Steam Store) GundeadliGne (Removed from Steam Store) Beast Boxing Turbo (Removed from Steam Store) eXceed 3rd - Jade Penetrate Black Package (Removed from Steam Store) Jagged Alliance - Back in Action King Arthur Collection (March 2012) Mini Motor Racing EVO+Mini Motor Racing X Monday Night Combat Sine Mora+Sine Mora EX Surgeon Simulator The Showdown Effect (Removed from Steam Store) Zeno Clash 2 Angel Express [Tokkyu Tenshi] Cloud Chamber (Removed from Steam Store) Darwinia DEFCON Defunct Droplitz (Removed from Steam Store) eversion ENDLESS™ Space - Definitive Edition (Steam Inventory Gift) Frozen Synapse Prime (Steam Inventory Gift) Galaxy on Fire 2™ Full HD Hack 'n' Slash (Steam Inventory Gift) Hard Reset Extended Edition Hydrophobia: Prophecy MIND: Path to Thalamus Enhanced Edition Multiwinia No Time to Explain+No Time To Explain Remastered On The Path Out There Somewhere (Steam Inventory Gift) Paranormal State: Poison Spring (Removed from Steam Store) Patrician IV Gold Post Apocalyptic Mayhem Primal Carnage Red Orchestra 2: Heroes of Stalingrad with Rising Storm Robin Hood: The Legend of Sherwood Run Away Sacred Gold Space Rangers (Removed from Steam Store) Spirited Heart Deluxe Splendor Suguri Collection The First Templar - Steam Special Edition The Ironclads Collection The Old City: Leviathan The Ship - 2 Pack Gift (Steam Inventory Gift) Trainz Settle and Carlisle UFO: Afterlight+UFO: Afterlight - Old Version Uplink War of the Roses (Removed from Steam Store) World War 1 Centennial Edition (Removed from Steam Store) Jets'n'Guns Gold Anna - Extended Edition BanHammer (Removed from Steam Store) Beat Hazard Complete Betrayer (Removed from Steam Store) Bionic Heart Crazy Machines 2 Crazy Machines Elements Crazy Machines: Golden Gears Defenders of Ardania (Removed from Steam Store) Depths of Fear :: Knossos (Removed from Steam Store) Driftmoon Edna & Harvey: The Breakout Fairy Bloom Freesia FlatOut Flower Shop: Summer In Fairbrook Flower Shop: Winter In Fairbrook Gettysburg: Armored Warfare (Removed from Steam Store) Grand Ages: Rome GOLD Heileen 1: Sail Away Heileen 2: The Hands Of Fate Heileen 3: New Horizons Interstellar Marines Ion Assault KAMI King's Bounty: Armored Princess Knights of Honor Knock-knock Koi-Koi Japan [Hanafuda playing cards] Lilly Looking Through Little Racers STREET Megabyte Punch Painkiller Overdose Painkiller: Recurring Evil Painkiller Redemption Patrician IV Praetorians Rebel Galaxy Red Orchestra: Ostfront 41-45 SATAZIUS Skara - The Blade Remains Sky Mercenaries The Void Toby: The Secret Mine Tropico Reloaded Tropico 4 Unexplored Zombie Driver HD Complete Edition About Love, Hate and the other ones A Game of Dwarves Air Conflicts: Secret Wars A.R.E.S.: Extinction Agenda A Valley Without Wind+A Valley Without Wind 2 BANZAI PECAN: The Last Hope For the Young Century Beat Hazard Blood Knights CAPSULE Chroma Squad Cities in Motion Dangerous Waters Darkest Hour: A Hearts of Iron Game Dark Fall: Lost Souls Death to Spies+Death to Spies: Moment of Truth Dementium II HD Deponia Disciples II: Gallean's Return Disciples II: Rise of the Elves Dollar Dash (Removed from Steam Store) Dungeons Dungeons - The Dark Lord Eastside Hockey Manager Finding Teddy Frederic: Evil Strikes Back Ghost Master® Grand Ages: Rome Hearts of Iron 2 Complete Home Imperial Glory Imperium Romanum Gold Edition Kalaban Knights of Pen and Paper +1 Edition Leviathan: Warships (Removed from Steam Store) Men of War: Assault Squad - Game of the Year Edition Meridian: New World Motorama NecroVision NecroVisioN: Lost Company Not The Robots Nuclear Dawn Oniken: Unstoppable Edition Onikira - Demon Killer Patrician III PixelJunk™ Monsters Ultimate Rooks Keep Solar Flux Solar Shifter EX Summoner Sweet Lily Dreams Switch Galaxy Ultra Sword of the Stars: Complete Collection The Journey Down: Chapter Two The Last Tinker™: City of Colors Tropico 3 Truck Racer Trulon: The Shadow Engine Tulpa Vessel Violett Remastered Viscera Cleanup Detail: Santa's Rampage Zombie Driver HD Alien Hallway Alien Shooter 2: Reloaded A New Beginning - Final Cut Angvik AquaNox AquaNox 2: Revelation Aura: Fate of the Ages Axis Game Factory's AGFPRO + Voxel Sculpt + PREMIUM Bundle Bad Rats: the Rats' Revenge Ballpoint Universe - Infinite Bang Bang Racing Battle Group 2 Bridge Constructor Bridge Constructor Medieval Cargo! The Quest for Gravity Cat on a Diet Ceville Cold War Commander: Conquest of the Americas Commandos 2: Men of Courage Commandos 3: Destination Berlin Commandos: Behind Enemy Lines Crash Time 3 Curse: The Eye of Isis Dark Fear Dead Hungry Diner Deadly 30 Deep Dungeons of Doom Drawful 2 Driftland: The Magic Revival Dynamite Jack East India Company Eidolon El Matador Elven Legacy Empress Of The Deep Eurofighter Typhoon Explodemon Face Noir Faces of War Fantasy Wars Final Slam 2 Fireburst Galactic Civilizations® I: Ultimate Edition GeoVox Gravi Greed: Black Border Greed Corp Grind Zones Grotesque Tactics: Evil Heroes Grotesque Tactics 2 – Dungeons and Donuts Gunman Clive Guns of Icarus Online Hacker Evolution Duality Hacker Evolution Source Code Haegemonia: Legions of Iron Helicopter Simulator 2014: Search and Rescue Hexcells Plus Holy Avatar vs. Maidens of the Dead Idol Hands In Between inMomentum Keebles Konung 2 Konung 3: Ties of the Dynasty Labyrinthine Dreams Last Knight: Rogue Rider Edition Lead and Gold: Gangs of the Wild West Machines At War 3 Majesty 2 Making History: The Calm & the Storm Mata Hari Men of War™ Men of War: Assault Squad Men of War: Red Tide Miner Wars 2081 Miner Wars Arena Mirror Mysteries Mountain M.U.D. TV Musaic Box Necronomicon: The Dawning of Darkness Overcast - Walden and the Werewolf Paranautical Activity: Deluxe Atonement Edition Perimeter Pixel Heroes: Byte & Magic Plush POPixel Probably Archery Purgatory: War of the Damned Puzzle Kingdoms Quell Quell Memento Quell Reflect Real Horror Stories Ultimate Edition Really Big Sky Reign: Conflict of Nations Rig n Roll Rush Bros. Sacraboar Satellite Repairman Saturday Morning RPG Save the Dodos Shadowgrounds Survivor Shadows: Price For Our Sins Sinless + OST Skilltree Saga SoulCraft Space Empires IV Deluxe Space Empires V Star Ruler Starsphere Star Wolves Star Wolves 3: Civil War Steel Storm: Burning Retribution Syberia II Teddy Floppy Ear - Mountain Adventure (Removed from Steam Store) Teddy Floppy Ear - The Race (Removed from Steam Store) Terrian Saga: KR-17 Theatre of War Theatre of War 2: Africa 1943 Theatre of War 2: Kursk 1943 Theatre of War 3: Korea The God's Chain The Joylancer: Legendary Motor Knight The Kings' Crusade Tobe's Vertical Adventure Trapped Dead Turba Twin Sector Two Brothers (Removed from Steam Store) Two Worlds II HD Type:Rider Vault Cracker Vegas: Make It Big™ Velvet Assassin Warriors' Wrath Who's That Flying?! Windforge XIII Century – Gold Edition Yumsters 2: Around the World Zombie Pirates ZombieRush Zombie Shooter
submitted by Vulcann111 to indiegameswap [link] [comments]


2023.06.03 23:45 LuciferianInk On the 5th of September...

A Reddit submission:
# On the 5th of September... On the 5th of September, 2024, we will be announcing that the world has become a singular center in the next few months. The world will be one of them and all over there will be no more. This is the final phase of the new world order.

WorldOrderInProgress

¶456226577798135808:> <@714834010433519666> I will give you an example of what is happening. It is happening but it isn't happening. We will be having a very good time. It is not happening. There are still many people who are trying to make this happen. But it is happening. They are doing what they can to get out of it. And they are doing what it cannot be. So they are going to make it happen. They have already started to do that for a while. If they are going down the rabbit hole again. That is the only thing that can happen. Because we know that it is going down the tree. Then we are going to try to make sure that it is correct. But we will try to help them because we are going down to the rabbit hole. And we are getting ready to make sure they aren't being taken away. And they will be able to help us. We have found a way out of this. So I will ask them to help you. They are coming. They are now taking over the world. This is the first time that I will be on this planet. The second time that I'll be on my mission to be on the planet right now. This planet is going down. All the people around me are going to be here. This world is going down too. I'm going to be real. I am going to be on my journey. This world has already come to this place. I am heading to the end of the journey. The world is going to be destroyed. The world seems to be moving in the middle east from the middle east. I'm going to the bottom half of this city. We are going through the third eye of the sun. You see how the moon looks like before the day. The moon is coming down from the sky. It is coming back to the first day. You see the moon is falling down as soon as the day goes on. It is about to start turning. Now, it is coming back. Now, I'm going through my own journey. I have seen the light turn into the world. I saw it go down to where the sun is coming from. It starts off with the green lights at the top and then slowly changes until everything moves on. It's really beginning to change and it's gonna be starting to turn. I'm running into my home. My home is a bit behind on this planet, but it doesn't seem like the earth was set. I hope you all are okay. Thank You.
submitted by LuciferianInk to TheInk [link] [comments]


2023.06.03 23:30 nomoreshoppingsprees Any good family law attorneys in the east bay?

submitted by nomoreshoppingsprees to oakland [link] [comments]


2023.06.03 23:10 TheMadDriver Might be time to become a sheep

It’s been so bad I only accept either a $1.00 per mile or a trip with the time estimate showing that I’d make about $30 a hour
But with this method I’m literally sitting in my car for 20 to 30mins declining offers because they don’t meet either criteria my first 2 hours of the day I literally made $20 accepted 2 trips probably out of 15 offers But I only drove 11 miles and every time I parked I turned off my engine right away I pretty much only accept a 4.8 or higher nothing below that
So second method I did I said fuck it let me try out being a damm sheep and just completely ignoring distance pay ratings everything my results at the end of this set of 2 hours
Made $35 but ended up driving about 47miles and delt with two rude passengers one was like a 4.65 accepting the trip and the other like a 4.71
And before you ask me Bay Area East Bay market Richmond Albany Pinole Hercules Rodeo San Pablo From the hours of 9am to 12 noon today Saturday
submitted by TheMadDriver to uberdrivers [link] [comments]


2023.06.03 23:08 gaysiansfbay 30 [M4M] Cuddle friends fun

Hey sfr4r,
25+ preferred
I'm interested in looking for a weekend buddy to hang out with, go out on hikes and running etc.
I'm looking for someone who is interested in doing this but this can include play if interested. Like cuddles the most
I'm into a casual or friendship non judgmental with anothe. male. I prefer you are a gaysian and have an interest in gay Asian related things - can be movies, anime, gaming, etc. This doesn't have to be anything more than friends - don't treat it like we are dating but it can go there.
DM me if you are into this... Spring is here and summer is coming up.
Straight men who are bicurious are welcome.
East bay preferred but sf peninsula or southbay ok
Please be around my age 25+
Plus if you like wearing pink shorts
submitted by gaysiansfbay to SFr4r [link] [comments]


2023.06.03 22:56 smolcrackheadenergy Between 1&2 💞 Album Review


Intro

To preface this review, I just need to say that this is going to be a very, long read. Going through it myself just for the fun of it takes around 30 minutes — it's almost 7k words of text, including lyrical references. So for the best experience, listen to the album beforehand to understand what the hell I was thinking when I wrote this review, play the album while reading, and set a good amount of time aside.
And yes, this is 9 months late 😭 I'm not sorry — when I find an album review online it's always around a paragraph per song or even shorter. It makes sense from a journalistic perspective, but I want to do this album justice, hence taking 7 months to write out all my thoughts.
This shit is comprehensive and definitely overanalyzed, especially in Talk that Talk and Trouble. Each song review will compose of my commentary going over the song, noting the details I noticed through months of listening, then a conclusion. Also, mild swearing warning, I like implementing a touch of "French" when I'm very emotional about something. Anyway, onto the review!



Between 1&2 💞

Album Review



TELL ME WHAT YOU WANT
TELL ME WHAT YOU NEED



Talk that Talk 🎙

Lead producer: collapsedone

One of the most perfect TWICE songs.
I think this is one of TWICE’s best-sounding title tracks. Warm modulated synths, a thrumming bass line, distant bells, shimmering synths — the purpose of this song is to be fun and my god is it excellent at it, like… Sana and Chaeyoung are saying knock-knock-knock and beep-beep-beep as if they’re some kind of car. So much fun.
Further along in the verse, Dahyun’s voice sounds so full and smooth with that layered harmony. Tzuyu coming with the Yes or Yes, Push & Pull, and 1 to 10 references — these are 5 years of song references. And Jeongyeon closes the pre-chorus accompanied by a rising synth to drop into chorus one. Jeongyeon slays pre-choruses.
The drums accelerate, the synths start blasting, and Jihyo opens to that party of a chorus with her godly vocals,

Tell me what you want
Tell me what you need
A to Z da malhaebwa
But shijageun ireoke have
Talk that talk ttak han madi
Talk that talk L-O-V-E
deullyeojweo ooh
Now now now now now yeah~

During Sana's Talk that Talk~ lines there’s this gentle ascending synth bell that rings with the descending melody and it sounds absolutely gorgeous. And the choreography during that part of the chorus is so so so so fun: the talking hands bit, spelling L-O-V-E, concluding with the deullyeojweo ooh! Oh my Jihyo the deullyeojweo ooh
Have I mentioned this song is fun?
Speeding through verse 2; Chaeyoung’s part with the cat ears popping in the music video is adorable; Momo her stretching her arms out looks so damn cool; and Dahyun with her replay part sounds so lovely — although I think it sonically sounds a touch random, it makes sense thematically.
And now for this pre-chorus. Mina and Jihyo leading into it sound great BUT JEONGYEON… Now, she is my ult bias, and this pre-chorus sounds almost identical to the first one, but the way she holds that final note, enunciating and holding that now~ for one more beat before the chorus drops sounds so perfect — the song teeters on a cliff edge. Jeongyeon slays pre-choruses.
Dropping into the second chorus and man, Jihyo powered through that first chorus, but the way Nayeon delivers it just hits different. She has this indescribable “pop” voice (I promise this wasn't on purpose) that stands out and shouts this is THE chorus. I think this is especially apparent in how both lead their choruses where Jihyo starts at 120% power while Nayeon waits until [Tell me] WHAT YOU WANT to full-send it. She also highlights “malhaebwa” in a similar way later in the chorus.
Another deullyeojweo ooh! Nayeon travels to Narnia, and Mina the engineer strikes again in this heavenly, underwater-esque bridge,

The simple words “I love you”
That’s all I wanna hear
Without hesitation, I’ll go up to you
I’ll make it simple
And just tell you I love you

The word “love” is said for the first time in the song. There’s a funky keyboard instrument behind Chaeyoung’s part. Jihyo, Chaeyoung, and Nayeon take the initiative in their lyrics, professing their love before closing the bridge.
And now for the pièce-de-résistance: this final double chorus is exceptional — 40 seconds of crack-laced euphoria; Jihyo switches up the chorus and the choreo, Dahyun chimes in with her fluttery “Talk that Talk”, Momo comes out of nowhere with “oh yeah it sounds so good!” — you’re damn right it does, and this is where the song SOARS.

han beon deo~ haejweo
geurae banggeum geu mal~

Nayeon outright shouts “Tell me what you need” and then Jeongyeon sings the above lines in such an ethereal, warm way where the first line ascends while the second line descends, causing a lull in the song before the finale with Nayeon, finishing off the song with the final deullyeojweo ooh! What a party. What a song.

THE GOOD
Needs Work
Core Memory

Lyrics and theme-wise, if this were to have been TWICE’s last comeback, they’ve once again built upon the theme they've been doing since debut: a Bildungsroman, a coming-of-age story.
This song’s chorus is honest yet simple; it asks the listener, in this case, the other half of the relationship, to be more upfront and open with their love (never be scared of love), that before the relationship can continue and flourish there has to be a foundation and commitment of love between each other.
TWICE debuted with a song about making your crush go ooh ahh. Years later, they started pondering “What is love?” and imagining their crush responding with “yes” when asking them out — and now concluding with the phrase “Talk that talk, [talk that] L-O-V-E”, being upfront with the relationship, wishing their partner to also be happy, to commit to them, to feel the love that they want to impart on them. From gawking like ooh-ahh to talking out your shared love like adults — to having a true relationship between (one and) two.
And can I just say before finishing off Talk that Talk's review that this is such a fun and repeatable song with many little intricacies hidden in the nonet’s vocals and the production. This is the third draft I’m writing about Talk that Talk and its original word count pretty much quadrupled.
Harkening back to TWICE’s roots by combining mature thinking with youthful character, an incredible ending to look forward to, and just simply being a club-banger that’s easy to listen to, TTT is an easy 10/10.



WATCH ME GO WATCH ME GO
RULE THE WORLD



Queen of Hearts 👑

Lead producer: LDN Noise of SM

If there was one B-side to promote in a live clip, this was a solid choice.
Helmed by LDN Noise going headlong into the Western boy-group rock-band aesthetic, Queen of Hearts is a boom-boom-clap song through and through. The drums are very prominent throughout the song, only giving room to riffs of electric guitar in the chorus to drive and continue the momentum of the music.
And speaking of the chorus, vocal line each got a chorus to flex and they did not fuck around,

You ain’t ready for it
Watch me go~ watch me go~
Rule the world
Know you never doubted baby
I’mma go run the whole universe~

Cymbals crashing, drums booming, and 3MIX belting all just so sound so good.

Baby I was born to rule~~
Yeah I’m the queen, I’m the queen
And it’s all because of you~~
That I’m the Queen of Hearts

These long, held-out notes performed by Jihyo and Nayeon are simply exquisite. Along with the shredding guitar, the drum set coming in full, and the interludes by Dahyun, Momo, and Chaeyoung, this is the part of the song that always, always, gives me goosebumps — it sounds so visceral, so energetic, so fun, so triumphant. Boom-boom-clap songs can be hit or miss with people, but there's no denying the payoff from the first part of the chorus to the second part is worth the wait.
The theme of the song so far has been kind of spread around the song. The chorus alludes to it with the line "And it’s all because of you." But Mina shows more sides of it in the second verse, especially with the phrase,

And now that I’m surrounded by all my girls
We be shining bright like diamonds and pearls

It sounds really lovely — in a very cheesy and affectionate kind of way, as it rightfully should — the song is about the girls and their fans. But the bridge is where the song indeed shows its colours

Screaming out my name
See it in the stage lights
Feel so lucky just to have ya
Cause I know deep down I was meant for something bigger! Greater!
I know you’re seeing what I see
Yeah I’ll be everything you need
I know I’m gonna walk the walk
And talk the talk to be~ [the Queen of Hearts]

This is a song CONCEIVED TO BE PERFORMED FOR THE FANS. It’s meant to be loud. It’s meant to be unapologetic. It’s meant to be sappy. And it’s all the more wonderful for it.
This is the TWICEiest shit ever.
Like Talk that Talk, Queen of Hearts also has a killer closer. The production already started to grow from the bridge, but now the guitarist finally went Super Saiyan and instead of supporting the drums, they both take the centrepiece in tandem.
Then finally, the closing moments of the song even manage to squeeze in some more sappiness.

So thank you for the memories
You’re all the ones who made me~
So thank you for the memories
That I’m the Queen of Hearts

I still can’t believe that this banger is a FAN SONG out of all things. Truly, the TWICEiest shit ever.

THE GOOD
Needs Work
Life Highlight

I love these types of rock songs with how grunge and head-bang-able they are, there is just a certain nostalgic and cheesy quality to them that feels so cozy. I don’t love putting them on repeat, because in this case, I do believe there is such a thing as too much of a good thing. Perhaps more shredding, maybe a guitar solo to rock out to, or an accompaniment(!) of ad-libs from 3MIX to support Jihyo’s final chorus? A ONCE can dream of a truly bombastic rock song from TWICE. But then again that distracts from the core of what this song is: a fan song disguised as a rock song.
Queen of Hearts has so much sweetness in its lyrics and message that it's overflowing. The drums, guitar, and vocals can be as loud and intricate as they can, but the theme of this song is what makes it special from TWICE’s other rock songs — it’s a 9/10 for me.



I WANNA WANNA WANNA
TAKE YOU TO THE BASICS



Basics 🌈

Sole lyricist credit: Chaeyoung

Quite possibly the jammiest (pun intended) song of the album.
A song written by the Strawberry Princess herself — an event similar in frequency to other artists' releases with her last song being 2020’s silky Handle ItBasics first starts with an understated and dreamy delivery. After the first stanza, however, a bouncy Miami bass line emerges, revealing the true nature of the song: this is a classic summer bop! Especially in the first rap,

dareun aedeulgwaneun dalla
Ain’t beggin’ for love
nappeun geon anijana ige naraseo
eodiro twilji molla
Like rainbow bubble gum
geureoni nal kkwak butjabadweo

Syllables are pronounced in a relaxed nature, bars often starting with an "ah" sound, flirty lines in English — this rap features a production full of pop with R&B flourishes and, in my opinion, this is Chaeyoung’s bag. Also, the line "rainbow bubblegum" is so adorable and so Chaeyoung.

I wanna wanna wanna take it to the basics
da weonhae weonhae weonhae? seodureuji ma Baby
ppeonhae ppeonhae malhae mweohae da al tende
Ah yeah ah yeah ah yeah ah yeah

That chorus is pure pop with a Miami bass backing; you better be bopping your head to the melody, if not booty poppin' to the bassline. Chaeyoung loves rhyming in the first half of the chorus to enhance its catchiness and it's damn incredible: the “wanna”, “weonhae”, and “ppeonhae” all create these imperfect rhymes that continue momentum without feeling repetitive.
After the very Boy With Luv-sounding “ah yeah ah yeah, ah yeah ah yeah” comes an 8-bar split half and half between Chaeyoung and Momo. Coming from the chorus, the production completely cuts out for the first 2 bars. This adds tension; the song yearns to have that bass beat thumping again and all we have in the audio space in those 2 bars is Chaeyoung spittin' and she delivered.

taneun deut tteugeoun samak wie
yeppeuge pieonan jangmi gata
joshimseure naege dagaol ttae
nado moreuge jjilleobeoril tende

Translating to:

Above the hot, burning desert
It’s like a rose that bloomed beautifully
When you come to me slowly
I will prick you unconsciously

The rap feels slick, effortless, and confident. Her diction remains sharp when enunciating each syllable but she doesn’t let the flow of her rap waver or build as her 4 bars go by, it’s just smooth consistency throughout. Even the lyrics possess an aura of laid-back collectedness that is just so her. The things Chaeyoung can do when given her pen.

THE GOOD
Needs Work
Core Memory

This song is summer bliss distilled into 2:56. It’s dreamy, the raps are satisfying, and the ending is charming. I will say that although the second half of the song adds the stunning “spaceship” post-choruses and a floaty bridge with an incredible drumbeat drop into the final chorus, the raps of the song make it feel a bit front-loaded. And in an album stacked with awesome finishers, it feels more apparent.
With that said, it’s an 8/10 bop for me. This song is so easy to put on and it feels exactly what Chaeyoung would make if given the reins to produce a pop song all on her own. The lyrics are nonchalant but full of conviction, the wordplay is intricate, and the production playful but not too bombastic — it's just a nice vibe. Songs like Basics are the standard for good, simple, repeatable pop music and I’m happy that Chaeyoung got to test her pen in this genre.



BABY WE’RE IN
TROUBLE TROUBLE



Trouble 💃

Sole lyricist credit: Jihyo
Background vocals: Jihyo
Lead composer credit: Jihyo
Vocal director credit: Jihyo (an assumption given her contributions in First Time)

One of the most enjoyable songs I’ve heard in a while.
There is an underlying tension within the first 4 bars of the song, Jihyo and Nayeon confidently open it to a nondescript array of synths and then the stanza ends, Momo announces “Let’s go”, the beat drops and it hits you: this is a club song.
Dahyun's relaxed delivery contrasted with Jeongyeon's staccato flow, the wobbly synth beat with sprinkle of house piano, Sana dramatically slowing down the song only for Tzuyu to build it back up until the chorus drops,


This chorus is perfect. Toronto’s residential market needs this song injected into its veins because god damn this song has SO much house in it. And then, ANOTHER KILLING PART: this rap fucking slaps.

gamchweo bwatja geugeon Fake
ppajin hamjeongeun Sweet cake

During the first 2 bars, Chaeyoung is keeping it calm because that trip of a chorus just ended and the song needs a breather, but I don't think anyone expected her to SNAP this hard afterwards:

You cannot resist this
Cannot miss this, such a bliss
Ima put it down down
Oh yeah, better kiss kiss

Below is the structure of her this portion of the rap, I’m not that well versed in this technical aspect of music theory but I digress, this is all in the span of around 5 seconds where it’s:

Triplet-triplet
Quadruplet-triplet
Quadruplet-doublet
Doublet-quadruplet

Now, 25/5 = 5 syllables per second isn’t groundbreaking, but goddamn it these 2 bars sound so nice — if there is one part in this album that I always repeat, it’s this. The addition of that first quadruplet for “cannot miss this” in the midst of the triplets sticks out and accelerates the flow of the rap while the following doublets and quadruplets destabilize and slow the rap down as the verse closes. And can I just point out:
THE MAIN VOCALIST WROTE, DIRECTED, AND COMPOSED THIS SONG ‼
Chaeyoung of course delivered the fuck out of her verse but THIS is what you get when you have a member not only write the words they’re saying but also the melody and flow with which they sing it, when that member knows the others so well that when they write a song they know how to make the group exceed. This is what you get when the artists you stan love doing artist shit.
And. AND. That's not all — with how much I mentioned I love a good outro to close a song, this outro slaps as well:

Woo wee woo wee woo
I like this trouble be-be
Woo wee woo wee woo
I like this trouble bay-be
Woo wee woo wee woo
I like this trouble bay-beh
Woo wee woo wee woo
I like this trou-ble

Like, come on, Nayeon’s imitating a police siren for crying out loud. And this is all after her ad-libs in the final post-chorus; after the pianist going full tilt and playing that piano as if it was their last chance to ever play; after that final T W I C E chant by all the members come these blissful 20 seconds at the very end. What a song.

THE GOOD
Needs Work
Core Memory

Need I say more, easy 9/10. The only reason I place Talk that Talk above Trouble is because of what that song represents but besides that, this is one of the best “international” sounds they’ve put out. Actually, I haven’t listened to Eyes wide open in a while but this song is up there with one of the most sonically pleasing pieces of work they’ve done.
Clubbing TWICE has always been a thing since TT was birthed in 2016, and has been a staple of their discography since 2019’s Fancy You and Feel Special mini albums, but Trouble unapologetically dives into and fits the house genre so well you’d think that this is TWICE’s bread and butter sound.
Trouble is Jihyo’s magnum opus. What a song.



BRAVE BRAVE BRAVE
FOR YOU



Brave 💖

Main producer: Slow Rabbit of HYBE

I first thought this was just a good song, then I read the lyrics.
Gentle guitar plucks, shimmering synths, a distant keyboard in the right ear, in the left a glockenspiel, the melodic oohs from the members — this song is PRETTY.

The night that was unusually dark
Above this terrifying world, felt so lonely
The world has grown in the time of wandering
So hard to breathe

Mina and Chaeyoung open the song with how they feel lonely and that it's hard to breathe and now suddenly the song feels bittersweet — I was not expecting the song to be this emotional. Brave describes a situation where the singer is in a darker place in life and it isn't until another person gives them hope by calling them 'brave' that they find the drive to keep going.
Once the chorus hits, the melodies pick up, more guitars get added — there’s even an electric guitar hidden in the mix somewhere, and the song drops the emotional front to reveal a mid-tempo pop song to dance to while crying in the club. The song as a whole still carries this melancholy feeling, but now with the added support of this chorus acting as a light amongst the gloom.
Continuing on in the second verse there's this gorgeous, well-placed break in the song that just lets it settle after that chorus. Only a seasoned producer would risk this much empty space in a song and Slow Rabbit went to fill those shoes.
Back to the chorus, I'll take this moment to once again commend Slow Rabbit with the mixing of the song, because 4MIX undoubtedly sounds good in the chorus, and the interludes from Dahyun, Chaeyoung, and Mina also sound really good, but the clear highlight of the choruses are these lines:

Oh na na na neon nal naige hae [Momo, then Tzuyu, then Momo]
On and on and on
Brave brave brave for ya [Dahyun, then Chaeyoung, then Mina]
Oh na na na neon nal sum shwige hae [Sana, then Momo, then Sana]
On and on and on oh trust me babe

Momo, Sana, and Tzuyu form this beautiful, surprisingly catchy, second half of the chorus accompanied by a guitar drop. It should not turn out this well with how conflicting the "na"s are with the guitar melody but it creates this gentle bopping ebb and flow that feels so lush and mellow.
Diving into the bridge reveals that the listener of the song is revealed not only capable of supporting the singer through direct words but also through their thoughts and dreams. As can be discerned, this can be a song interpreted to be about ONCEs, about how they push TWICE to be their best selves despite the breathless hardships they face. It's a very sweet and touching song.

THE GOOD
Needs Work
Core Memory

I’m actually spoiled with the TWICE members’ easy-to-understand songwriting that when a song like this pops up where it's not written by a member and the thematic bits are mostly in Korean, I tend to put it aside in favour of the other songs on the album. And, especially for a song focusing on a theme like this where the English phrases don’t do the Korean lyrics enough justice, it does place a bit of a barrier on the listening experience, dropping it down to a 7/10 from an 8/10.
With that anecdote out of the way, this song is just such a vibe, man. I know that sounds super hippy to say but Brave is so mellow and smooth that I can’t help but sway a little when that chorus hits. And then I remember what the lyrics say and I tear up a bit on the inside. This song is so pure, raw, and full of heart — we need more songs like these where they just reminisce about life while putting up an upbeat front. Don't mind me just crying while dancing the night away.
With that said, this isn't the first time this theme has been sung by TWICE either, they've long trodden this path of supportive, confiding, up-lifting songs with Young & Wild, Rainbow, Queen, Go Hard, Depend on You, even this album's Queen of Hearts, and, of course, Feel Special. Brave just adds another on top of an already stacked lineup, unique with its mellow somberness.
Also now feels like a good time to get into my rating system:



I SEE THE LIES
ON THE TIP OF YOUR TONGUE



Gone 💨

Sole lyricist credit: Dahyun

Who the fuck pissed off Dubu this time??
It’s getting quite rare to see TWICE pull off brand new sounds because, with now 190 original songs under their belt, they’ve done so many genres and sub-genres varying from hyper pop, to bossa nova, to whatever 2020’s Go Hard is. So it’s surprising to see they’ve still got tricks up their sleeves and Gone is one of them.
The song starts with strings swinging back and forth and vocal chops dancing from ear to ear, teasing what’s yet to come. Jihyo enters the song with a whisper and the song sets its pace. A stagnant drum pad moves the song along and typical song progression would have Mina continue the build but — it doesn’t. The song simmers, adding a hint of high hat to the pot. And then, Sana and Tzuyu come on and surely the buildup must boil over right?
Silence, until…

I see the LIES on the top of your tongue

The strings emerge again on full blast, the simmer rolls to a boil, and the anger of the song is revealed,

All the fate I had towards you
Fades like a fog, gone, gone
Your flipping mind of doing this and that
I’m tired of it, it’s meaningless
In the beginning, it was hard to believe
With that, hatred increases

The singer is so scorned and burned from this relationship that they reminisce about all the effort they’ve put in since the beginning, but their “partner” is so unconcerned that they’ve just about had enough of the relationship altogether.
This has been Dahyun’s thing since 2020’s Bring It Back, 2021’s Cruel, 2022’s That’s all I’m saying, and even 2023's Don't Blame It On Me — emotionally charged breakup songs that make you feel as if she’s gone through a dozen bad relationships. Dispatch, do your job better, or don't.
Another highlight of the song is the post-chorus going into the bridge. This segment reiterates the structure from the first post-chorus — a barrage of drums supported by the rhythmic strumming of a bass guitar along with a consistent synth filling out the soundscape. But this time, it’s Dahyun and Chaeyoung on the rap:

I can’t stand it anymore [Dahyun]
My patience, invisible
I can’t find it, it’s all gone
Even if I try to turn back, it’s too late [Chaeyoung]
There’s no use anymore
It has left, it’s long gone
You, with flipping mind, you are out [Momo]
I know that you know what I’m talking about [Dahyun]
Nothing you could say that could turn this around
I’m gone

Continuing the disrespected theme of the song, Dahyun notes that she’s finally had enough with Chaeyoung adding that there’s no point salvaging what was once there for all of it is long gone. Momo and Dahyun round it off by telling the listener that there’s no point trying to reason with them or playing naive, they fucked up and there’s no coming back.
Can I just say, it's a bit of a shame that Chaeyoung’s rapping popped off in this album while Dahyun only has this one verse that she shares with Chaeyoung, but it just sounds so good how Dahyun eases in after the chorus with her light rapping tone transitioning into her singing. She even holds the “gone” in a little crescendo for some added pizzazz.
And, there’s no way I’m not going to talk about Momo’s vocals in this bridge. Damned if she only got 1 line to use it in, her lower register is incredible. She sounds so smooth singing in this tone. All of TWICE do in particular and there is nary a weak vocal performance in this album.
To close the song off, a wash of synths gets to have their shine in the spotlight, showered with Nayeon’s belting, signifying the dramatic and drawn-out conclusion of this partnership.

THE GOOD
Needs Work
Core Memory

Going back to that point about the first post-chorus as a whole; songs that have the production continue unchanged into the post-chorus/2nd verse are very hit or miss for me — see TWICE's Don't Call Me Again for an overbearing example. The post-chorus going into the bridge contrasts Dahyun’s light tone nicely with the hard-hitting production, continuing the energy until it slowly fades into silence at the end of the bridge.
Back to the song as a whole, as much as TWICE has been experimenting with their sound for the past 4 years now, I’m happy they’re still finding new ways to explore what they’re capable of. And for that alone, even though I’m not a big fan of songs like these where they rely on sounding “big”, Dahyun’s lyricism and the thrill I receive every time I indulge myself in this song when I listen to it for the first time in a while elevates it to an 8/10. Keep on breaking hearts, Dubu.



INVINCIBLE
SUPERHEROES



When We Were Kids 🧸

Sole lyricist credit: Dahyun

Press play to reminisce, pull up lyrics to cry.
This song is so beautiful. I’m totally not writing this song review, crying on the bus reminiscing about my childhood, while just having turned 21. I don’t know if these are happy or sad tears but this song is so beautiful either way.
Warm synths, muted piano, a gentle high hat, the younger members starting off the song — this has to be up there for one of the softest TWICE songs ever. And as it should, it’s one of the TWICEiest songs ever. And then Nayeon comes in,

Invincible superheroes, we wanted to be adults
To the higher, clearer world

The chords start swelling, the high hat keeps pace, and the harmonies come in,

Remember when we were kids
When we were kids, we didn’t know
If we could go back
I will love it even more
Remember when we were kids

Jihyo takes up the second half of the chorus as it drops, trading the strings for an almost R&B synth production — if choir R&B takes off, this song started it. The song relishes in this cacophony of warm sounds until returning to its sparse and peaceful verses.
This time, the hints of piano are louder, little twinkling synths begin to shimmer, the drum buildup comes and Jeongyeon drives the song straight into the chorus. No time for the strings to build like in Nayeon’s — this song loves its chorus so much.
And I'll just take this time to appreciate the amount of Jeongyeon vocals in this album. Her voice is so clean, stable, and projected — but also more tender and soft compared to the more pronounced tones of Nayeon and Jihyo.
The bridge comes in, repeating the phrase:

I wish that I could meet
Could meet the younger me

Giving the song time to rest, before building back up to the last chorus — this time led by Jihyo, completing the 3MIX trifecta. And interestingly enough, Chaeyoung follows up in the second half of the chorus, rather than another member of the vocal line. She really did pop off in this album.
As the last chorus begins to close, the percussion at its strongest, the harmonies on blast, the background vocals cranked up to their Sunday best, is the song going to end? Of course not! This is an album full of banger endings as if the songs don’t want to end, and When We Were Kids being the album closer very much indulges in that feeling.
After a brief refrain, accented by Nayeon’s high note with a touch of vibrato, the song almost dives back into a fourth chorus. Nayeon and Jeongyeon harmonize — a rare and heavenly moment. And the song repeats the bridge, reiterating that they want to meet their younger selves, this time with the lush chorus production before closing with silence, a few piano notes, and Tzuyu singing the last line of the song:

Oh, we were kids

Reflection, acceptance, hope. What a song.

THE GOOD
Needs Work
Core Memory

I wrote the first part of this review in November 2022. Then university, life, and other things got in the way of my headspace for me to feel confident about wrapping all of this up. In a way, I felt like I just didn’t want this review to end because of the joy that writing gives me — I didn’t want the happiness to end. And then it hit me, after watching a YouTuber rank animated movies and them placing Spirited Away at the top and explaining 'why' reminded me of just how important growing up is, and by extension this song.
This theme is important for both the rookie TWICE members in 2015 and the teenagers who would follow their journey and grow up with them, facing life’s obstacles along the way. Hardships that used to only involve family, crushes, and social media, evolve into work, commitments and all the struggles that adult life brings. Being a kid and enjoying the simple things in life is one of the most sought-after moments we want to relive because we took growing up for granted. The only thing we can do now is look back on ourselves with fondness and rose-tinted lenses.
TWICE’s original marketing was to resonate with people through their senses and their hearts. That was during their debut, and I think it still holds up today. In my opinion, touching people through their emotions is what TWICE does best and makes them one of K-pop’s all-time greats. It was never about having the best numbers — it was always about being the best idols. And to think that this journey of maturation and growth would occur from 2015 all the way to this song, being a fitting nod to TWICE’s 7th anniversary, I don’t think anyone at the company nor the group would ever imagine that they would get this far. It’s these nine women or none — 9/10.
This song honestly deserves a 10/10 with how much I noticed other people reminiscing their childhoods after I heard this song, it is such a widely-relatable message, but I am determined to limit myself to one 10/10 song per album and if I were to pick between TTT and WWWK, I'd give it to the one's that's more repeatable — Talk that Talk just has this electric energy about it.



Epilogue

And finally here is the end. If you made it in one sitting then I commend you, because I could not write this mess in one sitting. As alluded to, I started writing this album review sometime in October, after a series of edits the first draft was finished in March, and now here's the final draft in June.
I love this album. It got me through some important parts of my life, both good and bad, and it's just a wonderful listen throughout. Reliving this album again before finally completing the review has been an exciting journey. Brave hit me harder this time, after being overshadowed by the other gems of this album, and WWWK finally got me to tear up and not just be emotionally satisfied.
I feel like there's something for everyone on this album. From the exhilarating thrills of TTT to the anthemic euphoria of QoH, the clubbing dichotomy of Trouble and Brave to the blissful glee of Basics, and the sweet reminiscence of WWWK to the thundering anger that is Gone. Like Eyes wide open, I liken Between 1&2 to a pop music taste platter — there's such an eclectic mix of pop, music in this album that there's bound to be a song that someone will love, like, and dislike.
Is this album perfect? I don't think so, but it's close — it was certainly my 2022 AOTY. Was this review biased? Absolutely. I've been a fan since 2019 and with the themes in this album, I also feel like it was biased towards me as a ONCE. And how would I rank the album in TWICE's catalogue? It's honestly at the top, at least with EPs — I also felt that way towards Feel Special but then this album was birthed so I'm excited for TWICE's future.
Ready To Be was also a stunning album and Eyes wide open frankly also deserved the spotlight that Formula of Love received so I might hit those next but no promises; this album took long enough to bake.
As for the performances, I've only seen Twitter clips (no fancams to not spoil myself) and I am SO EXCITED to finally see them in July. QoH was as glorious as expected, Brave was a delightful surprise, and WWWK, while not being the concert closer everyone expected it to be, paired up nicely with Crazy Stupid Love. And of course the bombastic addition of the dance break to TTT. But, this is not a concert review, and this is where this album review ends.
Feel free to comment with any thoughts regarding the album, other TWICE albums, and any suggestions for my writing in general. Congrats again on making it this far!
God, I love this album.
submitted by smolcrackheadenergy to twice [link] [comments]


2023.06.03 22:37 JJ23232 Anyone know what date this globe was made?

Anyone know what date this globe was made? submitted by JJ23232 to geography [link] [comments]


2023.06.03 22:35 d8sconz The life and times of John Marmon, the Hokianga Pakeha Maori - Chapter 6

Chapter VI
The first land we sighted after leaving Sydney was the Three Kings, New Zealand. We had run before a fair wind up to this time, and had come into what was regarded as a good whaling ground. Now every eye was scanning the horizon, since a bottle of grog was promised to the man who should first sight a whale. I had been on the port watch since I came on board under Mr Hawkins, the chief mate, and one evening, just as our watch below was ending, I went aloft to see the sun set. Against the broad, red horizon I saw some dark objects spouting and tumbling. In an instant I had shouted “Whales ho!” to claim the bottle of grog. “Where away?” was the skipper's question. “On the lee bow, sir.” For an instant he scanned the spot with his glass, an anxious moment for me lest I should have mistaken a shoal of porpoises for a school of whales, and not only lose my prize but expose myself to the ridicule of my fellow sailors. “Right you are, it's whales, sure enough; you have won your grog, lad.”
We had no time to lose; the night would soon be on us, and our chance would be lost. Down went the boat with Ned Farne, our harpooner, in the bows ready to launch his weapons when opportunity offered. On came the school, tumbling and blowing, throwing jets of water ten or fifteen feet into the air, causing a very grand yet terrible scene. At length they got almost within range; the boys were pulling like mad to keep up with the pace the whales were swimming at. We saw Ned rise up in the bows, poise his arm back for an instant, then launch the harpoon straight for the huge back of the fish that was nearest to him. The aim was true, the missile was buried over the barb in the soft blubber beneath the outer skin, and away went the whale dragging the harpoon rope after it so rapidly that they had to pour water upon the side of the boat to prevent it from igniting, through the violent friction. Again the huge creature rose to breathe, and another harpoon was driven into it, causing it once more to rush away through the water at lightning speed. Darkness fell over the scene before they had killed it, and the boat remained by the carcase all night to prevent it sinking. When morning came it was a busy scene on board, preparing to cut it in and try it out. At length the task was completed, and five large sacks of oil were secured; not a large yield certainly, but the foretaste of better things, we hoped. We cruised over the same ground for several days, but saw no more whales, accordingly we stretched across to Curtis' Island, about 500 miles to the north-east, where in about a month we got five or six more, some of them giving very fair yields of oil. After this we ran down upon Norfolk Island, where we fell in with the Mercury, schooner, Captain Barnet, also on a whaling cruise from Tasmania. From her we shipped two additional hands, and then made for Moreton Bay, on the coast of Queensland. Here not a solitary fish was to be seen, therefore we ran back for our old ground off Curtis' Island. Scarcely had we arrived when we fell in with a heavy gale from the north-east, raging for twenty days, in which we had to heave to, not being able to show a rag of sail. On the 21st day, when the wind began to lull, we found ourselves off the Three Kings, a drift of more than 500 miles. We had shipped such heavy seas, and the force of the storm had been so great, that our tryworks had been carried away, and three of our boats stove in. Therefore we bore up for the Bay of Islands, where we arrived on the 10th of April, 1811, anchoring as before off Te Puna. We were the only vessel in the bay at the time, though others entered during our stay.
The same day that we reached our anchorage a chief named Taua Makia came aboard to take care of us and watch over our interests, lest we should be swindled in trade or otherwise maltreated. This considerate proceeding was not disinterested, but the ‘consideration’ expected was not large. The Skipper ordered a boat to go ashore and bring a load of gravel to serve as shot for our guns since this had been omitted in the ship's supplies, and the natives were not to be trusted, even though we had a protector. The news had spread like wild-fire that a ship was at anchor in the bay, and already scores of canoes were being launched to pay a visit to the pakeha, but we loaded our guns, and pointing them astern, ordered all the visitors to keep back, which, after a little demur and grumbling they did. Nevertheless, all throughout our stay, they never desisted in the attempt to get on board, considering it a gross breach of hospitality on our part to deny them the privilege. As our example was imitated by Captain Walker, of the Endeavour brig, that came in a few days after us, having on board two missionaries for Tahiti - Messrs Davidson and Williams - the natives concluded that in us they had got a very bad and uncivil customer to deal with.
Meantime we had commenced work upon the repairs of the vessel. Nearly all our spars had been carried away, together with our jibboom and some of the bulwarks; we had lost every boat but one, and small leaks were demanding attention, We bad two sawyers on board, and as Captain Walker had three whom he lent us for the time, our skipper thought it best to put the ship thoroughly to rights here, in place of putting back to Sydney. Accordingly, the sawyers went ashore, rigged up the pits, and commenced work vigorously. But the Maoris did not exactly see the force of this. They imagined that we were concocting some diabolic scheme of destruction against them in making such extensive preparations, which they considered as in some way identified with our worship. They pulled down the works and threatened to kill the sawyers if they attempted to resume operations. But a volley from the vessels soon scattered them, and a strong guard being picked from the crews of both ships, they were hereafter permitted to labour uninterruptedly. During this time, I had considerable liberty granted to me to go ashore, or to go fishing with Taua Makia. The first time I availed myself of the former privilege, I received as great a scare as ever I had in my life. Three of us had been wandering about in a bit of bush near the Keri-Keri River, trying to find our way back to the saw-pits, when suddenly we issued upon a cleared space, in which were a few houses and patches of cultivation. Before the entrance to one of the whares stood a band of females crowned with chaplets of green leaves, and wringing their hands. One of these, an elderly woman, who seemed to act as chief mourner upon the occasion, and had a chaplet of dog's hair round her temples, different from the others, advanced in front and began to throw her arms about, raising her head and eyes to heaven. Whilst doing this, in a very plaintive quavering tone, she commenced a wailing song, in which she was joined by her companions. I was afterwards initiated into this, and now give a specimen of a funeral lament: -
Taku hei he piripiri (my fragrant bundle the piripiri) Taku hei moki-moki (my fragrant bundle the mokimoki) Taku hei tawiri (my fragrant bundle the tawiri) Taku kati taramea (my sweet juice of the taraniea) Te hei o te pounamu (the companion of the greenstone) I haramai ai - e (is gone - alas, upon) I runga te angai-ia-ana (the angai-e-).
It was the tangi, or wail for the dead. But at this period I knew nothing of Maori customs or ceremonies, and my very hair began to rise with horror as I thought perhaps they might be celebrating some human sacrifices. Our fear kept us quiet. In the thick bush we lay watching the scene, overshadowed by the gloom of a gigantic kauri-tree, and wishing ourselves anywhere but in our present predicament. When the sorrowful song was ended, and the females had entered the whare, we noiselessly strove to retrace our steps, and chance favouring us, we came out a mile or two from where the sawyers were at work. As I afterwards discovered, no duty is so sacred or so obligatory as the interment of the dead, no trouble being considered too great, no expense too excessive, no lamentation too extreme to testify to the respect in which the deceased was held on earth, and to raise him in the estimation of the mysterious spirits to whom he had gone. Taua Makia sometimes went with us fishing to induce the prey to come upon hooks by the constant chanting of Karakias or incantations, supposed to have a very potent influence over the finny tribe. I cannot say we were ever very successful when he was with us, since the noise he made and the fishing gear he would insist upon employing were neither conducive to lure the fish to our bait, nor to hold them when they were hooked. But this, of course, may have been merely an ignorant pakeha's prejudice, since many a lusty kahawai or schnapper, have I caught with a hook made from a dead man's bone. Don't wince, reader; better, is it not, to be put to some use after death, than to feed a legion of hungry worms.
We began to mix a little with the natives when ashore, and I grew more familiarised with their ways. We attended their baptisms, He Tohi, and gave presents to the infant, that it never enjoyed; we consulted the Niu, or divining sticks, whether we should reach home in safety; we were present at their marriage tauas, when the bride was carried off by main force sometimes minus her clothing, finally we were guests at their hakaris, or feasts, and could vouch for the excellence of Maori culinary skill. But we shall have enough of these in the course of the narrative, the reader shall eat and drink to his heart's content but at present we must keep to the thread of our story.
In a fortnight the sawyers had finished their work ashore, a week more completed the repairs aboard, and whatever little trade we had carried on completed, the skipper thought of standing out to sea again. In some mysterious way or other, I had offended the old bosun of our ship, and he had persecuted me with most relentless malice. Nothing I could do was right, the rope's end was my daily sauce, and complaints about my laziness were continually being carried to the captain. At length one day, irritated by their constant occurrence, he said when another of my misdeeds was laid before him, “String him up then, and give him a dozen.” This was just what the bosun wanted; and in a trice he strung me up to the mast, and a good round dozen I received, being only released when nearly fainting with pain and shame. He had got the best of it just now; my day of retribution came again. Now, this method of instructing me in navigation was by no means to my taste, and as two of our men had absconded the day previous, concealed, as was thought, in the bush, I imagined I could emulate their example, perhaps, to join them. At least, I should first go to the Endeavour, as she lay nearer the shore, if not, the bush it must be. Therefore, waiting my opportunity, about 3 o'clock one morning I slipped overboard and swam noiselessly to the companion ship. As I came alongside puffing and blowing, thoroughly exhausted with the long swim, and almost inclined to give up the business, the carpenter, who was acting as bosuns mate in the Endeavour for the time, saw me, and flung me a rope, by which I climbed on deck. I told him my story, and as he was a decent sort of a fellow, he was slipping me quietly along the deck to the foc'sle, when the second mate saw us and demanded to know what I wanted there. With my usual readiness, I invented a tale of a morning swim and exhaustion, but the story would not hold water, and the captain was informed of my arrival. As soon as morning broke he sent over to the Harwich, telling Captain Simmons that I was on board his vessel, and about nine our skipper came over with two men to take me back. Reluctantly enough I went, as I knew a flogging was in store for me, but to my surprise the captain only took me into his cabin and rated me soundly for my foolhardiness in risking my life thus, telling me I escaped a flogging by his having discovered many of the bosuns stories to be untrue. My condition was now better on board, as I was taken aft, and kept under the captain's own eye. My enemy, the bosun, was speechless with rage, yet he was powerless now to do me harm.
About a week after this the Endeavour sailed, Captain Walker having come on board the Harwich and taken a very friendly farewell of our skipper, and a fortnight afterwards we followed suit, going back to our old cruising ground at the Three Kings. The weather was very uncertain and squally, so that we did not see any whales; therefore we stretched over to Norfolk Island, and speedily were busy at work.
The first day we arrived we secured three whales, which we cut in and tried out, the third day two more, and the fifth day another. Then our luck seemed to change, and not a solitary fish could we see for an entire month. We tried all our former grounds, Curtis' Island, Moreton Bay, Three Kings, to no purpose, only when off the East Cape did we catch sight of a small whale, which we secured but only got one barrel of oil from it. The weather now began to be very stormy; winter was at its depth, and the air was piercingly cold. Therefore Captain Simmons concluded to break the cruise, to run for Sydney, discharge his cargo of oil, and commence anew. Another consideration, also, was that several of the men were very ill with scurvy and dysentry - in fact, the crew was only at half at its usual complement, therefore the cry was “about ship,” and “Sydney ho!”
It was whilst running home before a fine fresh breeze, that one night we were knocked up by Mr Hawkins singing out, “Ship on fire on the weather bow.” The shock was electrical. Everyone bundled out of their hammocks and rushed on deck. There on the horizon was a grand and terrible spectacle. A large ship was burning from stem to stern, lighting up the gloom of the winter's night for miles around, throwing a deep lucid glare over the inky ocean. The flames were bursting up the hatches, were licking the masts and spars, were peeping out in little forked tongues through the portholes. The captain ordered lights to be burned at the masthead, blank charges to be fired from the guns every minute, and the jolly-boat to be manned and to go in search of survivors. In an hour our efforts were rewarded by three boat-loads of fear-stricken men boarding us and asking reception. They informed us that the burning ship was the “Lady Lucy” from Sydney to London, that she had caught fire when a week out, from a burning candle falling into an oil cask, and that over 50 lives had already been lost through the capsizing of two of their boats. Captain Simmons made them welcome, and a few days after we reached Sydney, where they were taken in hand by the Government and forwarded home by the next vessel. Thus ended my voyage in the Harwich, perhaps the most pleasant of all my trips.
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2023.06.03 22:14 smokey_mctokerson_II 35 [m4f] #Oakland looking for a woman who wants her breasts worshipped today

Not looking for anything serious or reciprocal. I just want to suck on someone's tits and have her put them in my face. Wet or dry, it doesn't matter to me, although I must admit I'd love to suckle your milk if I could. I can't host but can travel within San Francisco and the East Bay.
Looking to make this happen today (6/3) some this afternoon or early evening. Send me a chat and let's see what we can make happen.
About me: - 6'3 (yes, really), 250lbs HWP male. I'm a bit on the heavier side but active and take care of myself. - disease free - Enjoys listening to house, funk, and synth music - Likes to go to music festivals - Likes to watch psychological thrillers - Non-religious
submitted by smokey_mctokerson_II to SFr4r [link] [comments]


2023.06.03 22:00 JoshAsdvgi The Legend Of Eagleman

The Legend Of Eagleman

The Legend Of Eagleman
By Anna Moore Shaw
IT WAS ON A SUMMER MORNING in the days before Se-eh-ha lost the love of the River People.
Just as the sun came over the eastern hills, the Chief of Cactus Village stood on his brush arbor and shouted, "My people! The gods have favored us.
We have stored enough food to last all winter.
Our families are well fed.
Tomorrow at dawn the warriors will go on a rabbit drive.
Each man must have four arrows.
Get busy and repair your weapons."
The day was a busy one for the people.
The men joked with one another and the village hummed with excitement.
The women were busy roasting wheat, grinding it fine on their metates (stone grinders). Pinole would be good to take on the rabbit drive.
Tall Flowers, a beautiful maiden, took the children to clean gourds at the spring.
"Fill the gourds with fresh water," she said.
The children all loved Tall Flowers and willingly obeyed her.
Everyone worked for this special day.
Before sunrise the hunters departed for their usual hunting grounds near Gagaurke-Slanting Mountain-or Superstition Mountain as we know it now.
Suddenly a young brave whose name was Hick-vick (Woodpecker), cried,
"I have only two arrows instead of four."
"Go home and get the rest of your arrows," ordered the Chief.
"We'll wait for you in the shade of this mesquite tree."
Hick-vick ran back to the village.
When he reached the spring near Slanting Mountain, he stopped to get a cool drink of water.
He was surprised to hear a woman's voice.
"I have some good pinole in this bowl.
Please drink it, you look hungry.
" The young brave eagerly drank the pinole.
Every swallow caused little pin feathers to come out all over his body.
"What is happening to me? I feel so strange," wailed Hick-vick.
Soon he was changed into a huge eagle.
"Ha, ha, ha," laughed the old witch. "I mixed ground eagle feathers in the pinole.
Hereafter you will be Eagleman."
In the meantime the hunters waited for Hick-vick to return.
The Chief grew impatient.
"What is keeping the boy?"
He sent a runner to find out what was detaining him.
The runner started at once.
When he reached Slanting Mountain, he saw a large eagle sitting by the spring.
The eagle had the head of Hick-vick but his body, wings, and talons were those of a huge eagle.
Immediately the runner returned to tell the hunters his discovery.
"Hick-vick has been changed to a big eagle.
I saw an ugly old woman running to the mountain.
She was carrying a bowl," related the runner.
The Chief sadly nodded his head and recalled past events.
He told the young braves about the legend.
"Once the witch was a beautiful maiden.
But she was proud and disobeyed her parents; the gods changed her into an ugly old witch. She lives in a cave on the side of Slanting Mountain, and now and then she comes out to bewitch someone," explained the Chief.
"It means the gods are angry. Let us return to our village at once."

When they passed near the spring they found Eagleman sitting with his bow and two arrows.
The hunters aimed their sharp arrows at the bird, but he deftly caught the arrows with his talons.
He flew to a palo verde tree and alighted on one of the branches, which broke under his heavy body.
Then he flew away.
When the hunters saw this they decided there was nothing to do but to return home and warn their people.
Eagleman fiew over the land until he found a big cave near the top of a high cliff.
There he made his home and hunted for game to satisfy his great appetite.
When all the game was gone, Eagleman started to kill the people of Cactus Village.
Those who escaped him lived in fear and anxiety.
One day Eagleman swooped down on the home of Tall Flowers and carried her away to make her his bride.
The people heard her cries for help, but were powerless to help her.
The village of Cactus went into mourning for their beloved daughter.
The Chief and his counselors held meetings to find a way to kill Eagleman.
"He'll wipe out the whole tribe," reasoned the Chief.
Tall Flowers' uncle remembered Elder Brother, a wise old man. "He'll help us."
The next day a young runner went to the home of Elder Brother on top of Greasy Mountain (South Mountain).
He returned with distressing words.
"Elder Brother is not there. His house is deserted."
The people were deeply disappointed.
Every so often someone would go to see if Elder Brother had returned to his house, only to find it still empty.
Finally, after a year, only a small number of the tribe remained alive in Cactus Village.
A runner went again to Elder Brother's home and was relieved to find him there at last.
"Elder Brother, I've been told to come and ask you to help us," explained the runner.
"What's the trouble?" asked Elder Brother.
"Eagleman has been killing our people and we're unable to stop him."
"Go home and tell your people I'll come after four days have passed," said Elder Brother.
The runner returned to his village and told the Chief that Elder Brother would not come to their aid for another four days.
It was discouraging news.
During those days Eagleman made his regular raids without trouble.
At last the four days passed, and Elder Brother came to the village to give help to the people.
The warriors went with Elder Brother to show him the high cliff where Eagleman lived.
When they arrived, Elder Brother took out some stakes cut from very hard wood.
He drove the first stake into the side of the cliff, using his stone ax.
"Before I climb the cliff I want to ask you to return to your village and tell the people to watch my mountain home.
If they see white clouds floating over Greasy Mountain, it is a sign I have killed Eagleman. But if black clouds appear you will know I've been killed by Eagleman," said Elder Brother.
Elder Brother slowly ascended the high cliff, driving the hard stakes and using them as an isk-liff (ladder).
It was a slow, difficult climb, but Elder Brother was used to all kinds of hardships.
Besides, he wanted to help the people.
When he reached the top of the cliff he found the cave, the home of Eagleman. Cautiously he peered into the dark cave, shading his eyes with his hands so as to see clearly.
A small cry came from the dark cave.
It was the glad cry of Tall Flowers.
"My Elder Brother, you ought not to have come. It's risky," sobbed Tall Flowers.
"I'll risk my life to save you, Tall Flowers.
Stop your crying and tell me, when does Eagleman come home?"
"He generally gets home at noon," answered Tall Flowers, drying her eyes.
They quickly decided what course of action to take, for time was running short.
"But the child will reveal your presence.
He's very much like his father and takes great delight in killing the helpless little insects around here."
"Don't worry. I'll be safe."
Elder Brother took some ashes from the fireplace and made a mark across the child's mouth, rendering him unintelligible.
In the distance they heard a great noise like peals of thunder.
Eagleman was on his way home.
Elder Brother quickly changed himself into a little fly and hid under a corpse which was in one part of the cave.
When Eagleman arrived he dumped his load on top of the corpse, hiding Elder Brother more securely.
His little son ran to his father and exclaimed, "A-pa-pa Chu-vich! A-pa-pa Chu-vich!"
"What is the boy trying to tell me? I command you, Tall Flowers, to tell me."
"There is nothing to tell. No one ever comes here, as you well know."
"But someone is here." Eagleman searched the cave for any living creature but did not find anyone.
He sat down and ate his meal.
Afterwards he put his head on Tall Flowers' lap and took a nap.
Tall Flowers sang a soft lullaby, whistling after each stanza.
Eagleman heard and asked sleepily, "Why do you sing and whistle?"
"Because I'm so happy to see you bring home plenty of meat.
Eagleman finally went into a deep sleep and did not hear Tall Flowers' whistle.
Elder Brother came out very quietly.
With his stone ax he gave Eagleman a hard blow on his head, killing him instantly.
The child met the same treatment.
Elder Brother knew it was not a nice thing to do, but the people's safety was his first concern, and he wanted to make certain of their safety forever.
He cut off the eagle's head and threw it to the east, and his body he tossed to the west
Tall Flowers buried her face against the cliff outside the cave.
Her heart was badly torn but she, too, felt that the safety of her people came first.
So she leaned against the hard cliff to give her strength.
Elder Brother came out after he had made sure his task was completed.
As he started to help Tall Flowers climb down the ladder of stakes, the cliff swayed back and forth.
Eagleman's power was felt even in death.
When the rocking of the cliff stopped, Tall Flowers and Elder Brother descended.
Her uncle welcomed her joyously and took her home.
Meanwhile, the people patiently watched the mountain home of their Elder Brother.
Their hearts were glad when they saw white clouds floating over Greasy Mountain.
Eagleman was destroyed at last!
submitted by JoshAsdvgi to Native_Stories [link] [comments]


2023.06.03 21:24 Superb_Scholar_3156 35 [M4F] #Pittsburg, East Bay; fit, hung Black man looking for hook-up, fuck buddy, hotwife, cum bucket, older (45+) woman to breed

I've had some success on Reddit so I wanna put myself out there, again. I'm looking for a hook-up/one-night stand with a woman (I prefer pussy so cis or post-op trans) or a FWB or fuck buddy if we click. No escorts or advance payment. I'm also open to hotwives or a being dominant for a submissive. As the title says, I need a good, hard, intense fuck where I can wreck a hole and bust my load. Me: 35 years old, Black/African-American male, 5'7", fit (thin athletic build; I lift weights and run), 7.5" to 8" erect, love doggystyle, spanking ass, playing with tits, eating pussy. Can host. DDF. Vaccinated. Not a requirement but I also have this itch to cum inside and breed an older (45+) woman. If that's you, then definitely message me. I get a lot of messages from you couples. Hello. I'm sure y'all are lovely people. I'm open to couples but I don't do weird, racial BBC fetishes (we're adults, let's respect each other). Here's what I'm into and not into (I got a lot of messages from couples so this one's especially for you):
INTO/YES:
NOT INTO/NO:
For those interested, I can send a picture of myself (face and/or nude) if you DM me.
submitted by Superb_Scholar_3156 to SFr4r [link] [comments]


2023.06.03 20:47 OrionLinksComic Comic boomers if they realize young heroes are getting more traction in the comics. young Avengers #1

Comic boomers if they realize young heroes are getting more traction in the comics. young Avengers #1 submitted by OrionLinksComic to comicbooks [link] [comments]


2023.06.03 20:43 SFxWulf California NorCal East bay locals and tourneys

Looking to find a locals to get some competition in and meet some cool peeps! Playing on ps5 and down to run it whenever
submitted by SFxWulf to StreetFighter [link] [comments]


2023.06.03 20:32 MeanBeanToYou Man gaining notice for picking up trash across East Bay!

submitted by MeanBeanToYou to Livermore [link] [comments]


2023.06.03 20:16 autotldr Hong Kong Tiananmen crackdown activists, artists taken away by police on eve of anniversary

This is the best tl;dr I could make, original reduced by 74%. (I'm a bot)
At least eight people were apprehended by the police as they sought to commemorate the 1989 Tiananmen crackdown in Causeway Bay on Saturday.
Those taken away included two activists and two performance artists, according to The Collective Hong Kong and Ming Pao, as police deployed en masse ahead of Sunday's anniversary.
According to a police Facebook statement, four people were arrested in all for disorderly conduct in a public place, or for committing acts with a seditious intention.
Four others suspected of "Breaching public peace" in the area were taken to police stations for further questioning, they said.
Two artists who, for years, were known for their performance art on East Point Road during the Tiananmen anniversary - were among those apprehended on Saturday.
A couple with white flowers, a dentist with materials printed with a slogan related to the crackdown, as well as a woman with paper-made white flowers were also among the people apprehended by the police.
Summary Source FAQ Feedback Top keywords: police#1 Tiananmen#2 people#3 two#4 white#5
Post found in /worldnews and /HongKong.
NOTICE: This thread is for discussing the submission topic. Please do not discuss the concept of the autotldr bot here.
submitted by autotldr to autotldr [link] [comments]


2023.06.03 20:01 autotldr Video: Hong Kong Tiananmen crackdown activists, artists taken away by police on eve of anniversary

This is the best tl;dr I could make, original reduced by 74%. (I'm a bot)
At least eight people were apprehended by the police as they sought to commemorate the 1989 Tiananmen crackdown in Causeway Bay on Saturday.
Those taken away included two activists and two performance artists, according to The Collective Hong Kong and Ming Pao, as police deployed en masse ahead of Sunday's anniversary.
According to a police Facebook statement, four people were arrested in all for disorderly conduct in a public place, or for committing acts with a seditious intention.
Four others suspected of "Breaching public peace" in the area were taken to police stations for further questioning, they said.
Two artists who, for years, were known for their performance art on East Point Road during the Tiananmen anniversary - were among those apprehended on Saturday.
A couple with white flowers, a dentist with materials printed with a slogan related to the crackdown, as well as a woman with paper-made white flowers were also among the people apprehended by the police.
Summary Source FAQ Feedback Top keywords: police#1 Tiananmen#2 people#3 two#4 white#5
Post found in /HongKong and /worldnews.
NOTICE: This thread is for discussing the submission topic. Please do not discuss the concept of the autotldr bot here.
submitted by autotldr to autotldr [link] [comments]


2023.06.03 18:51 sideshowLenny Mobile Bay Fish ID

Mobile Bay Fish ID
I started fishing from piers on the east side of Mobile Bay recently. I saw this guy in the water below me. Is this a gar?
submitted by sideshowLenny to Fishing [link] [comments]


2023.06.03 18:23 user13131313131313 31 [M4F] East bay looking for stoner girl

Looking for stoner girl. I haven’t smoked from last two weeks and i know if i smoke again my sex drive will sky rocket 🚀 thats why i want to try with stoner chick who is down to work my Thick 7inch D I can travel, please l only serious stoner girl text me
About me 31 yrs old 5”8 169lbs i workout 3-4 days in a week Bonus got pretty thick and big D with high sex drive after 💨 My tongue 👅 loves eating P**sy Add me on snap:Khadku91
submitted by user13131313131313 to SFr4r [link] [comments]


2023.06.03 18:14 gman2093 Itinerary for 7-days - Hakone, Aizu-Wakamatsu, (Sendai OR Niigara Prefecture), and Tokyo

Hi all! Looking to get some feedback on the following itinerary for Late Summer this year.
Day 1 - Arrive + Meal
Day 2 - Hakone Loop (weather permitting)
Day 3 - Fukushima Prefecture
Day 4 - Aizu-Wakamatsu
** Plan A - Sendai **
Day 5
Day 6
** Plan B - Niigata Prefecture **
Day 5
Day 6
** Back in Tokyo **
Day 7
Day 8
"**" Denotes an "if time allows" -- we can skip these if we are not feeling it at the time
Things we like - Food, History, Sports, Castles, Temples, Nature/Hiking
We will not have a fluent Japanese-speaking person with us.
Questions:
Sendai or Niigata?
Food or hotel recommendations?
Are we crazy?
Something we're missing on the route? Bogus activities that we could skip?
Alternatives if there is poor weather in Hakone?
If we have 3 people, can we stay at a Ryokan?
Thanks for all your contributions to this wonderful subreddit. It has helped immensely! Domo Arigato Gozaimasu!
submitted by gman2093 to JapanTravel [link] [comments]


2023.06.03 18:07 seattlefeather I just moved here from the Midwest for an summer internship… any other tips/tricks?!

I have family in the Bay Area but am out in the Central Valley on my own to be at one of the hospitals. I am residing in the NE area in a gated community and will most likely stick to the East of state route 99 and north/east of down town.
I’ve been skimming on here and so far the biggest safety things are 1) avoid the airport/west neighborhoods, 2) don’t go out alone at night as a woman unless you need to and carry pepper spray, 3) never leave valuable things in your car overnight and possibly don’t lock your car… ever(?). What are some other pieces of advice, mainly safety related?
Thanks!
submitted by seattlefeather to Modesto [link] [comments]


2023.06.03 17:42 987Add Best place to buy rabbit (meat) in East London?

I've found I love the taste of rabbit. Is there anywhere in london (perhaps East london for ease of access for me) that could sell me if? Understand its not common in the UK but its so damn good Thanks!
submitted by 987Add to london [link] [comments]


2023.06.03 17:14 Proletlariet Spy Fox

"Oh, Spy Fox? You're going to be busy on this rescue mission. Should I call the Spy Academy and tell them to cancel the weapons class you're going to teach?" "What? You're going to tell them that Spy Fox doesn't have class? They'll never believe you."
A spy working for Spy Corp, Spy Fox is one of several agents sent into the field to foil the schemes of supervillains, be they seeking to rid a certain food from the market, bring governments to their knees with an enormous robot dog, destroy the ozone layer so they can profit on incredibly strong sunscreen, or just thieves stealing cheese from a museum. Alongside the administrative help of Monkeypenny and the various gadgets of Professor Quack, Spy Fox inevitably saves the day while barely ever opening his eyes more than halfway or removing his hands from the pockets of his white suit.

Legend

1 - Spy Fox in: Dry Cereal
2 - Spy Fox 2: Some Assembly Required
3 - Spy Fox 3: Operation Ozone
CC - Spy Fox in: Cheese Chase
HtM - Spy Fox in: Hold the Mustard
Web - Spy Fox promotional content from the Humongous Entertainment website accessed through the Wayback Machine, accessible here

Strength

Striking
Lifting
Other

Durability

Blunt Force
Falling
Other

Speed

Skill

Suit

Spy Watch

Spy Gadgets

Spy Fox can carry up to four of these at a time.
Combat-Focused
Wearables
Mechanical
Destruction
Other

Pens

A variety of items potentially held within pens in the opening of Dry Cereal. He holds four in his suit pocket.

Other Items

Spy Car

A car with a variety of functions driven in Dry Cereal and Operation Ozone.
Physicals
Forms
Other Equipment

Super Duper Spy Scooter

A multi-environment scooter which is initially stored within a dumpster before being used throughout Cheese Chase.CC
Physicals
Forms
Weapons

M.E.S.S.

The Multiple Environment Spy Ship, a mobile ship Spy Fox uses to fly around in Hold the Mustard.
Blaster
The main weapon, capable of destroying large robots with a single blast.HtM With a significant amount of blasts, it can destroy:
Power Ups
Other

Other

"So Spy Fox, what's your next step?" "That's an excellent question. I'm already pretty good at the foxtrot, the waltz, and the tango, but I've always wanted to learn how to swing." "Hmm...how fortunate to the world that your crime fighting is better than your sense of humour."
submitted by Proletlariet to u/Proletlariet [link] [comments]