Home2 suites by hilton frankfort

Playing 3 handed. Tournament style home game.
The situation happened after the river.
Board is 10 K 3 10 A ; suits are irrelevant.
SB goes all in on river, pot is already really high. He has KK
BB covers SB by 1BB… he tanks for like 6 minutes with AA. He then flips them onto the table, to show us.
We say “you have the second nuts, why are you considering folding?”
Then he insta calls. (Keep in mind he has 1 bb remaining)
I am last to act, sitting with 1010; quads. Dream spot ik.
I say all in. I cover both of them.
BB says “ok” and moves his cards flipped over further into the pot.
Thats an all in, no?
Because now he’s claiming he wasn’t all in, after losing.
I flip my cards. BB is shocked, and SB mucks his cards slowly. (He shows them after BB argues.)
For further context; SB and BB had a side bet, saying who ever loses owes the other 25$.
So now BB is saying SB owes him 25$ even though they lost to me, at the same time. (In further context, this has happened before (where they lose at the same time) and neither of them pay each other. )
BB is arguing saying “oh i never called your all in” with 1 bb, but he legit flipped his cards over and verbally said “ok”
Thoughts?? Is that a call, or a fold like he claims?

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Pros

1. High burst damage with somewhat low cooldown. Her main kit consists in the Thorns she creates on her attacks, she can use her skill and use their HP to deal additional damage. The HP lost is considered Wanderer HP, allowing you to trigger Fenrir's third star effect. She is able to control a grayspace entity and make it into her ally.
2. Key constellation: first star allows her Thorns to deal DoT every 2s for 30 seconds, her fifth star allows her discharge to restore her Thorns HP by half.
3. Matrices: greatly increase damage without much condition. Her 4p matrix increases the thorn limit to 6.
4. Use her dodge passive to pwoercreep your Jetpack relic by doing a big leap in the air!

Cons:

1. Low normal attack damages, not comparable to Fenrir's damage. She is mainly a burst character, so it might be awkward.
2. Her trait is better suited for a Triple Volt comp, you'd still want Fiona's trait in any case.
3. Because she relies on Fenrir's third star for the bulk of the damage, without Fenrir's c3, you will be better off sticking to Tian Lang, or she will deal less damage than the previous cycle.
4. Booba

View Poll

1. The parasite This is almost an improvement over the demo, however, giras vocals are too echoey at times and also get too loud. Like the song is relatively quiet instrumental wise, but gira just wanted obnoxious vocal spikes. I do however really appreciate the new (synthy??) Direction it took, it's good for what it is. Sadly I have another problem with it, it just doesnt end ever, like seriously, whatever energy hes trying to make me catch isnt working whatsoever. hopefully in time I'll enjoy it more. 87/100
   
2. Paradise is mine This song is a good transitional piece, I don't think it does anything too interesting but that's fine. It doesn't really need that, it's got a catchy riff and that's all it needs, the song pulls itself together in classic swans fashion. 96/100
   
3. Los Angeles city of whatever Official album mix is a billion percent better. This song does disrupt the flow of the tracklist, I'd rather this song had been removed but still released as a single. It's decent, just doesnt belong right here. 90/100
   
4. Michael is done Not a fan of the layered vocals. The female singers voice does not mesh well with giras. Instrumental is solid though, I'll give it that. The chime or xylophone thing idk sounds good, very nice. Ear candy even. I hate how he keeps repeating the words "is done" like bro I get it, you're done now be done and stfu my God man. It's not even ironic it's just a bit annoying. The song gets filled in nicely after all that and makes up for its slightly subpar beginning. I like the heavenly choir in the back, it's a nice touch. Basically a better version of anything off of leaving meaning. Only bad thing about swans is that if I'm ever just slightly not in the mood for repetition most of their songs take a major hit, right now I'm tired so this is a little long winded. This means that when I'm fully awake it'll be a good song. But really though this goes on for a while please end please I'm bored cause adhd plz. I don't like the abrupt cut back to the chorus, doesn't work. 0/10 jk feeling maybe an 85/100
   
5. Unforming It sounds like Annaline became a fucking nihilist but doesn't want to get violent. The album is pretty decently well paced so far. Annaline/10 (9/10) nice beautiful sounding song that does a good job and doesn't have a bad moment. I almost want to force the entirety of leaving meaning into this tracklist just to make it longer, but I'm sure the beggar lover will do that all by itself lol. God this song is slow, but it sounds good so I still can't knock it at all. Oh my God a switch up, freedom from fear guys omg. Swan reference? Remember that time on to be kand where he scream fredon? But fr tho it sounds fucking incredible, my brain is just schizoing out rn cause yes. The way the vocals are layered makes it sound like he's saying free yum instead of freedom, 0/10 now. Bad gira.
   
6. The beggar I kinda wish it was 30 minutes long like the live version. Other than that fatal misstep it's a solid song with an atmosphere thick enough to be thick ig. Ominous sounding. Omg gira said he's gonna steal a child, guy's we gotta stop this mad man. What will he do next? 7/11?? Okay that build up was fantastic, song just picked up the pace but I'm gonna assume like with the live version, it's gonna get bigger.
   

Omg he said freedom again, America reference mayhaps?
Yk for how bitchy Michael acts on stage when a fellow band mate messes up a note, you'd think maybe he'd quit fucking up the vocal layering randomly. Straight up hypocrisy to an annoying extent. Oh for fucks sake, the shitty ass scream into the second climax took away all power it had. That was pathetic. The background vocals saved it, nvm. I still think that scream was ass tho. If your voice can't handle it, don't do it, it'll sound like shit and leave assholes like me disappointed. I didn't even really have that high of expectations but this kinda falls flat for me, the cracks are staring to show in this album and it's kinda just sad. 73/100, I really hope this shit will grow on me man

1. Ebbing Okay already some interesting -nvm Shitty folk instrumental, thanks for the blue balls. I definetly needed that after the last pair you gave me. This female is not jarboe (the only real woman) background vocals are kinda mid, and also feel off. Like poorly spliced together. You can tell where they took shortcuts on this album and as a result it's really starting to piss me off man. There are areas where he just splices the demos over the instrumentals and it sounds terrible. I don't know how he thought these vocals sounded good. Please dear God grow on me please. This girls vocals are best suited for build ups, not for passive background noise. #bringbackjarboe My expectations keep lowering and - oh Okay now it's coming together alright, I am just an asshole. Song is music again, on the 7th day God said let there be swan. Genuinely very pretty sounding instrumental here, I'll quit bitching and enjoy it while it lasts. Wow, originally this was maybe a 60/100, this ending has really pulled it together though, 10/10 I like what they went for, it worked. The blue ball beggar still hurts though :( Omg 3 more minutes, really? It better do something else, as good as this sounds you can't just slap on 6 minutes of good music to make up for a mid intro. That'd be lazy, oh no that's what Mr swan is doing. sigh Gira, please, come on dude, I believe in you, do the thing that glow man did with big boom. This is me writing out of boredom, which isn't the albums fault, I'm just tired. Whatever still sounded good and honestly didn't drag as much as I thought it would, still a 10/10
   
2. No more of this I'd really prefer if there were more of this. I'd also prefer if Mr gira wasn't a hypocrite, in this case it's not the layering, it's the way he attempts to drag out notes. Yikes man, really? Whatever, I'm being too negative, ill keep listening and give it a fair shot yk. Instrumental is nice, same as demo. I think I prefer the demo album over this one so far :( Please gira, just make it stop you're killing my heart and not in the good way. This album is really just not doing it for me. I'm gonna cry myself to sleep. This sure is a song. It sure does keep going. If there ain't a payoff for this slow build I'm gonna die. No really fr, I'll die, I have a weak heart. Oh no, the payoff isn't sounding too hot. I'm really trying to not be negative but this album just feels like a failed experiment. I will give this song credit tho, I think that the payoff is good but isn't for me. Or maybe it'll get better idk. Songs not over yet. Yea that was just okay. Idk man, I really don't like being this negative, it's just not working for me 78/100
   
3. Why can't this song title be slightly shorter than that book report I wrote in the seventh grade? Sounds nice so far, please don't let it fall flat later on. It's very (I'm terrible with descriptive word so I hope this is the right one) despondent. The background vocals along with the riff makes this feel like the type of shit that zombies dance to at 3:37 pm est. Oh shit nice, now it sounds more menacing. "I feel wrong in this skin" me too buddy. If you really don't like it you should just peel it off. Peel off your skin. This song is kinda a vibe man, wishing we got more of this instead of yk, all the shit I've been complaining about nonstop. Haunting and loud, also it's the good repetitive that swans excells at. Nice nice. Builds up into something so the last 2 minutes don't drag, classic swan moment. 86/100
   
4. The beggar lover (three) I will not bitch about this song even if it's slow, it's 40 some minutes it can take its time to impress me. Background vocals sound good again, like the first half of Frankie m. Oh nice, this song is going somewhere. It's using some bits from previous parts. The chimes are cool and nice sounding. I want them inside me (sexually). Big drum moment. I'm not closing my eyes, sorry. Oh, this is the 30 minute beggar from the live shows isn't it? Nice. But if that's the case, why have other worse beggar? To show you can improve? Congrats??? Whatever, I'll get over myself eventually don't worry. Holy shit this sounds so fucking good. This is the beggar I wanted. I don't know how swans pulled it off but this makes up for every problem I had earlier with all of these songs. Holy shit. I'm in love. Did they put all their effort into this one song and rush everything else? Like seriously, wtf happened. I love this man, 11/10 fucking hell. I love you Mr gira, send me more swan thx. This weird middle section with knick knack paddy wack is surprisingly not bad and actually dread inducing. Idk how but wow. And now gentle guitar strum. Hmm, interesting choice to have a song from leaving meaning called leaving meaning at the end of this song. It's good, just kinda lost me at the end. 95/100 it's incredible solid and I appreciate it for what it is.
   
5. The memorious The weird vocals that have popped up on this album actually sound decent here. it's a good way of getting you into the groove of this song. The baby coos don't work here, on the demo they worked fine due to the lack of finished instrumental, but here it's distracting and sound like, and don't take this the wrong way, he just slapped it there because he thinks it belongs. This has happened several times during this album, things being placed wherever without care or effort. Really frustrating. Like actually annoying and pulling me out of the fantastic instrumental. Every time I begin to enjoy it I hate it again because the baby coos and I hate the fucking sound of children. Maternal instincts my ass, I'd football that little bitch ass toddler out a 10th story window. Thanks gira for ruining the 1 thing this song had going for it by having the crying baby continue crying throughout the song for no rhyme or reason and only at times where it'd be the most distracting. This would be a great closer without the baby coos and if the album wasn't overall mid. My God man, why? Gira, you can't just finish half the album and quit on the second half. The demos sound better. Well okay, mostly, the end here sounds good except for the baby coos because they only play at distracting times. I'm tired of being negative, this is genuinely disappointing and not worth the wait. I'd rather have not heard this, because if I hadn't I'd no longer feel this empty pit in my chest. 10/100 because the baby coos ruin everything that could be good here. Fucking annoying.
   

It's an 88/100 album, which is odd because the quality control has just completely disappeared. This is the worst swans album since the reunion and it's so disappointing I feel genuinely angry, yet somehow it isn't that bad. I guess what's upsetting is watching them just poorly splice shit together. It still sounds good, but I can tell 0 effort was put in. This album can't grow on me because every problem comes from the lazy ass production. This album had way less care put into it and as such it causes a frustrating and miserable experience, even if it occasionally impresses with you with the jingly keys (haha get it cause baby and last song had baby noise? HA Comedy.) Fuck it, if they're gonna be this lazy with the production then I'm just gonna score unfairly (like that will solve anything) 65/100, do better.

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Greetings, please help me choose a 5G router, I have looked at almost the entire market, even the most expensive offers (1000 euros and more) and it feels like they are all bad.
Since I moved to Bulgaria, I have faced the problem of bad internet (I can't connect cable to my house).
​
Necessary:
1) Internet by SIM card (I have 5G unlimited)
2) Internet cable connector
3) The ability to take a router for a walk for IRL streams (therefore, a bunch of a home router + a mobile one does not suit me, sticking a sim card breaks it)
​
Desirable:
1) Ability to connect an antenna to enhance the signal
2) The ability to automatically send SMS from the interface of the router (every 10 gigabytes spent, I have to send anything to the operator's number or the speed will be limited)
3) WiFi 6
I need a router for streaming, online games and their downloads. And I live in a place where the speed is either 700 Mbps, or 1.

BeyondtheGM EP 22 featured special guests Doodles CEO Julian Holguin and head of Business Development and Strategy Austin Hurwitz. Great listen where many heard the vision from the Doodles team for the first time.
Heres the show if anyone wants to listen back. https://twitter.com/i/spaces/1OdKrzqrMbYKX
I've shared some of the Doodles related Q&A and alpha below:
Can you share some details about your latest announcement for those who haven't seen it yet?
Julian: Doodles is partnering with a company called Camp to launch our first ever immersive retail experience and for those of you that don't know what camp is, it's basically a network of hybrid play / shopping experiences where the front of the establishment is basically a toy store, but think of it like a specialty toy store. It's kind of like a modern day FAO Schwarz or something like that. It's got all the viral kids toys. It's not just like walking into a Toys R Us or a Target or something like that, t's kind of got that specialty feel to it. That makes up about I'd say less than a sixth of the space but in the back of that toy store, there's this hidden door and a camp counselor is waiting for you if you purchased a ticket to the immersive experience, you push through that magic door and behind that is essentially a 6000 square foot immersive experience that totally brings the world that you're going into to life. So they partner with some big IP to actually program those experiences. Los Angeles is Nike. It's called Nike Kids Camp.
New York is Disney's Encanto, a really big Disney animation movie that kind of took the world by storm last year. Dallas is Mickey Mouse and friends. Atlanta is The Little Mermaid. So obviously some of the biggest IP in the world. We are launching a new location with them this summer. So basically, we're going to be introduced to a whole new set of potential people in the particular market that we're going to be in because these experiences actually serve a purpose in those specific markets for longer than say 2 or 3 days. They are permanent establishments in those markets. So we're going to stay there for about 3 to 6 months and then the Doodles show will likely go on the road to some of their other locations. The solution that camp solves is what do you do with your family today? What do you do today? Do you have something to do with your kids, which is always on a parent's mind, right? Whether you're taking them to the park or you're taking them to Disneyland or you're taking them wherever you want to go. This is like a 2 or 3 hour thing that is really kind of hard to replicate, that gets people out of the house and you can have truly an incredible time.
My kids love it. So the the cool thing for us is that we get to bring one of our core competencies to life in a really material way where we know it's valuable to pop up at these big cultural moments like South-by and Art Basel, but it's a pretty resource intensive process to do that, and it's a pretty budget intensive process to do that. So we figured it made a lot of sense to kind of reallocate some of that funding into turning this concept into a true business, which is essentially what camp is, One, we're going to be selling merchandise, we're going to be selling tickets to the event, we're going to be selling sponsorships to the event. So there's a real business there but the big opportunity for Doodles is there's going to be thousands of new people that don't know anything about Doodles coming into this experience, and we have the opportunity to bring them into our world. We have the opportunity to bring those people on chain, especially with what we have planned and how the technology is almost going to be invisible to the people that are in there.
It's ultimately just going to be a great digital / physical consumer experience. So really, really excited. The utility that that's going to drive ultimately to holders is VIP all access, it's going to be free entry, whereas everybody else has to pay. There's going to be merchandise credits, there's going to be true like white glove concierge services. So whenever a Doodle holder is going to go to the the space in a given day, week, whatever it might be, they're actually going to have the really VIP experience that's going to come with all the bells and whistles and they're going to feel very, very special and not the kind of experience that everybody else is going to have when they go to the event and hopefully in time that space is going to travel so a lot more Doodle holders are going to be able to take part in it but one of the big things that we've heard in general from holders about our live events is, oh man, it's two days, three days, like what if I'm not able to make it that particular weekend? This is going to enable people to have a little bit more travel plans put together if they do want to make it all the way out here but the cool thing is, it's going to travel.
We're still going to do live events in other parts of the world but this is a big one for us. The other part is that we're actually going to introduce our first line of kids merchandise, goods and apparel, which is something that the community has been asking for. We have a lot of parents in the Doodles community and it's also a way to introduce the brand to a lot of new people. As far as the experience itself, there's going to be like dayparting programing. So kids and family programing is going to be in the day for the most part and then at night there's going to be stuff that's more focused on adults. So multiple generations can take part in this. It's going to be a blast. I can't wait for everybody to see the designs, what the experience is going to look like, how it's going to connect to our collector ecosystem in the studio and bring NFT's to life in a really meaningful way. It's going to be awesome. Can't wait for you all to see it.
I'm looking forward to the day parting. I'm wondering if you could share any timelines, anything in terms of location and where we can expect them or should we stay tuned?
Julian: The location is going to be a reveal within itself so I don't want to say that here because the reason we're not bringing up the location yet is because there's a really big opportunity to get a lot of local press. You want the local newspapers, radio stations, local bloggers and everything like that talking about it. So we want to reveal the designs and everything when we announce the location so we get as many people in the particular area that we're going to be in aware of the activation as possible. Timing wise, the experience is going to open in August. There might be a little fluidity in what exact time in August but it's August right before the school year starts for everybody so it's not too far away and then as far as like you asked kind of a leading question with adult versus kids experiences. You know, if you grow up in New York or any of these cities and you do kind of more mellow, like you've been kind of like boozy painting before or doing like casual things you bring drinking like wine and beer into it. It turns into like a really fun night out for adults. This isn't going to be a rage fest kind of thing but the idea is that we're going to be able to serve alcohol and create some really cool friend and family driven experiences that are a lot more geared towards adults. So it'll be a good time.
What's it like working with Pharrell and what's his involvement with the Doodles project at the moment?
Julian: That that was the first thing we did. Again, remember how much interest there was in the blue chip NFT projects back in April, May, June of last year and there were a lot of opportunities for us to work with some major major musicians that have global reach and millions of followers and we really saw the value in working with a creator to help us incubate the brand but they needed to be dynamic and Pharrell is the most dynamic, genius, brilliant creator that in our opinion has really ever lived and he spans music, he spans art, he spans fashion, film, television, technology, everything. So, we had started talking to him basically right when I started and we got the deal done very quickly. Pharrell is a pretty material part of the business, most of the work that he does is kind of behind the scenes, the Pharrell pack and him coming into the Doodles universe as a character was the first big collab that we did but we're working on music together, we're working on audio identity and visual identity and brand development etc and the doors that guy can open are truly unprecedented, the rooms that he's walked us into. I don't want to name drop but top C-suite in the world, top creators in the world, top everything. Pharrell's name comes with so much weight because he has the respect of everybody from business to creative and fashion and everything in between and the thing that surprised me most well, I shouldn't say surprised me, but the thing that I think would surprise most people is how shrewd of a business mind the guy has, he's always leaning into new technology, new ways of doing things. He's kind of contrarian, but he really understands business. He really understands opportunity and he's very leaned into Doodles, which is exciting. We couldn't be more blessed to have his have his support and have his mind on the on the company.
I really enjoyed Scott's (Burnt Toast) version of Pharrell. Could you talk about the expansion of the Doodleverse and the ethos behind it?
Julian: If you look at the end card to the most recent trailer that promoted the Pharrell pack, Doodles2, the stoodio, everything that we released last month, what you're going to find in that is a bunch of random Doodles characters that could be anybody, could be anybody on this call, could be people in South Dakota, could be people in Hong Kong, could be people wherever.
Then you see Pharrell, who is Pharrell in that universe and then you see our mascot who is obviously going to be the main character of our fictional universe. So you have the real world in there, through their Doodle, you have Pharrell who's also part of the real world in there through their Doodle and then you have the fictional characters from Doodles in that photo as well. So if you think about where we're going as a brand, we're developing this fictional universe of characters that are derived from the original collection. So you've seen the mascot, you've seen the cat, all of that stuff is going to be developed into a fictional line of programing and then running parallel to that is the lifestyle brand that is Doodles, right? You make your Doodle, you buy your Doodle merch, you go to Doodles events, you're on Twitter talking to other Doodles, there are Doodle holders that are more well known than other Doodle holders simply because they engage more and they're more kind of public figures in the community and we kind of believe that as that starts to grow, those two, that kind of lifestyle brand and real world aspect of the Doodles will crash into the fictional world at times.
Maybe you do see a creator or someone that you know in the actual fictional world of the universe, or maybe you as a Doodle holder, whether it be through your Doodle or the customized Doodle that you create, will be in that fictional universe as well, the same way that Lady Gaga was a character in The Simpsons, or The Weeknd was a character in The Simpsons, set in the fictional world of The Simpsons but they're Lady Gaga. They're The Weeknd. So we have this really cool track of programing where you can bring digital identity to the table and collecting. We have this kind of sincere belief that digital identity paired with collecting connected to every single consumer touchpoint, whether it be going to the movies, watching television, buying stuff at retail, playing video games, if you can bring that back to a collecting hub where the brand knows who their most loyal supporters are, who engage with the company the most, who are supporting the most and you can reward those people and create aligned incentives as our business grows. That's something really special that brings the brand and the ultimate collector closer together, which makes them feel like they are part of the universe because they actually are going to be part of the universe. They're not going to be just a passive participant and the best way I can give you kind of a framework for how that doesn't exist today.
If you look at most movie IP, they license the movie rights out to a distribution company that actually puts the movie out, which then goes to theaters so they don't actually own the relationship with their customer. You buy merchandise through another third party, so they license it to another third party. They license their books and publishing rights. They license their music rights. They license everything out and they don't actually own the relationship with a lot of their audience. So they have no way of knowing who their most loyal supporters are, who goes and sees the movie three times, who plays the game, who buys the merch, who shows up at the theme parks and the events? What's really cool about the technology that we all work in is we could figure out a way to track all of that and make sure that those people are not just being seen and heard, they're getting stuff, they're getting more rewards, they're creating this sense of identity being close to this brand because they're actually going to feel like they're part of it with all the activations that we have planned. We think that's a business model and a mindset that doesn't exist today and that that's really where we're leaning in.
Are there any projects or founders or individuals that you guys chat with a lot or anyone you guys want to meet?
Julian: Yeah, obviously day to day work kind of gets in the way of, you know, people spending too much time together but Luca and I talk pretty often, he actually hooked me up with a couple of the plushies for my kids. They loved them. So there's there's definitely love and support there. I talk to Greg from Yuga every now and then, I've connected with Zag a couple of times but it's not as much as it should be and I think that's kind of the real takeaway, is that, we should be coming together as leaders in this space more often, because if one of us wins, all of us wins and there's so much incredible work being done right now, we just we need to figure out better ways of kind of taking ourselves out of the day to day and the kind of the pitting ourselves against each other that exists so much on the timeline right now and just remember, we're all fighting the same fight, right? We're trying to take market share from all the biggest companies in the world, not from each other. If Web3 makes it, it's not going to be just one of us that makes it. It's going to be a few of us. It's going to be a bunch of us and it's ultimately just going to create more opportunity for everybody building in this space. So more of that 100% needs to happen.
How do you feel about the sentiment? Obviously you guys went through a lot of FUD and now you're kind of bouncing back. How do you feel about the NFT space and where you guys kind of see yourselves fitting in?
Julian: I think anybody who saw our keynote at NFTNYC last year, we are doing every single thing that we said we were going to do. I think there's a misconception in how long this stuff actually takes to develop, to reach millions of people around the world, how long it takes to get music to market and film and television content to market and true partnerships and things like that. You know, especially when you kind of have the bar for quality that Doodles does. I think one of the areas that we've fallen flat is just communication and community building in general and I think that's something that if hopefully you've been paying attention lately, you've seen that there's a real concerted effort internally to try and bridge that gap and to try and rebuild that vibe in the Doodles community. It's something we think about every day. Austin has been invaluable in that regard and truly making the community understand that we are a Web3 company. We do care deeply about this space. We do sincerely believe in the technology and what it's going to do for brands and IP.
We really do feel like every action and activity we take is not just going to benefit Doodles, it's going to benefit everybody in our community and everybody in the Web3 community at large. So has it hurt to see kind of Web3 not as pumped about Doodles anymore? Yeah, it's definitely something we think about, but we're not going to sit here and try and sell, sell, sell to the space on why we're great. What we're going to do is just prove it by shipping product and show people that we really are in this for the right reasons and it'll start to make more and more sense over time. We're kind of sick of talking about what we're going to do and we're just going to show people and think by the end of the summer, by the end of September, you're going to you're going to see a very, very different looking business that the community is truly at the center of. So we're excited for that.
You guys are talking about collectibles and I think Burnt Toast recently shared a photo of a monochrome dude. You guys are working with All Rights Reserved who is definitely a premium art / toy sculpture producer. I would love to know a little bit more about how you connected and maybe a little bit more that around what we can expect for that that drop.
Julian: So this relationship predates me joining but Evan got introduced to SK, I believe through Todd Kramer, who's a big art collector, and he has a gallery in New York and I believe they really hit it off kind of from the beginning and the first the first vinyl that came out was so successful, people were going crazy for that thing and it became very clear that hese vinyl stand toe to toe with Bearbrick statues and Kaws statues and we had a real opportunity in the designer toy market. So we really wanted to start to double down on that concept and try and play in that space. So we've been developing a strategy for a while on how we actually bring that to a wider audience and get that in the right kind of environment so this, this summer, August, actually, we're going to be doing a big drop tied to the physical's, the vinyl that you saw. There's going to be multiple colorways. There's going to be some really interesting, I'll say expanded things outside of the toy, outside of the figure itself but it's going to have some specialty retail distribution so it'll be at some key retailers, both digital retailers and physical retailers, All those retailers are going to be distributed around the world.
There's some pretty select markets that we're going into and then that is going to lead directly into the camp opening a few weeks later. So it's pretty exciting. The vinyls are definitely a big area of growth for us because we see them as a way to reach new collectors, new people. It's not enough to try and sell everything to the people that are here today, what we need to be able to do is actually bring these these experiences and these products to as many new people as possible. I think one of the things that Luca actually said when they did the toys was, being financially independent so you don't need to continue putting more and more NFT's in the ecosystem. I don't think that means any of us are going to stop producing NFT's but the whole idea of being able to make those experiences incredible because you have a real business outside of it. I think that is a really great takeaway and something that we think is possible through this drop and the other stuff that's coming soon. We're talking so much more man. It's going to be crazy.
One thing I would like to hear your thoughts about is how are you trying to to bring value back to holders from these events? If I walk into a Camp store, do I know that Doodles is a originated from an NFT project or is there another another strategy like a Trojan horse?
Julian: I think the goal for us and thank you for that question, but the goal for us is more how do you eliminate the technological barrier between someone that has no appetite for it but might be interested in your brand? And as the brand grows and as the technology gets a little bit more seamless and people start to understand what the original collection actually means, that there's a lot more demand for that because there's only 10,000 of them. So if we all of a sudden reach millions of people and those millions of people know that there is this collectible that started it all, it's the original artwork but that artwork is also it's the first edition Pokemon card, right? That's kind of the parallel that I'd say and then that art is attached to this essentially membership, that is the ultimate access pass within the ecosystem, right? Like the Pharrell pack, there was only 300 of them, but you couldn't get one if you didn't have an original Doodle So that was basically a free airdrop. You had to hit certain metrics, engagement metrics within the community to actually get the pack but that was just one iteration of it. We'll have that for a lot of drops where, there will be, a certain amount of things that are free and the free thing will always come to people that own the original Doodle and then the free entry specifically speaking about camp, free entry to the experience when everyone else has to pay, merchandise credits and then a true white glove concierge service where you're you're going to reach out to Doodles before you go and then you're going to be set up with this kind of VIP experience at that location.
If you believe that Doodles has the opportunity to grow and turn into a bigger brand, you know that free airdrops and claims and free claims on merchandise in one location is not going to be all the utility that there is for the original collection. We're going to build a lot more than that and that is kind of how we see value trickling back down to the original token, we're also going to be licensing people's Doodles to use in media, to use in products. We haven't done it yet because we just haven't figured out the right way to make it scalable. It's kind of a big thing to set that precedent this early, especially if you have the kind of ambition we do to go as big as we want to go but we are thinking about that and we are going to bring that to market soon and then the last thing that I'll bring up is just the Doodle bank, which is honestly, I feel like a really under the radar thing. We have a $5 million or so fund that only people with a Doodle can access to build businesses around the Doodles brand, to build creator platforms around the Doodles brand. I would love to see a Doodle holder try and access the Doodle brand to actually build some of the stuff that you've been able to build, right? How can we help subsidize costs so they can create their own podcast studio so they can advertise their content a little bit more all through the Doodles brand, which is ultimately aligned incentives
You as a creator get bigger. Doodles gets more of a microphone because you're getting bigger as a creator and then the last couple pillars of the Doodle bank is also rewards , so how can we use the funds in the Doodle bank to actually create more rewards for Doodle holders, is it sponsoring a concert tour? Is it trying to get memberships to a specific social club? There's so many different things that we can use to drive value back to the original token with this fund and ultimately empower the creators and the entrepreneurs that exist in our ecosystem. So I'd say we're doing so much to try and drive value back to the original token, but I think people will I think people will start to see that when there's truly like real world utility Pharrell pack was one iteration. We've done an airdrop with the Dooplicator, we're doing this experience with camp and it'll keep going from there.
Have you guys kind of like established your council? How do you guys kind of think about the Doodle Banks as it operates as I guess a "DAO" tied to Doodles itself? What does the structure look like, high level?
Austin: In terms of where we're at with it right now. We've installed the first class of the DoodleBank community council, which consists of a chair to oversee the council, a treasurer who is distributing the funds and tracking the finances, an events lead who is going to be building out community global programing, a grants lead, which is really when Julian speaks about how do we empower individuals to build businesses, whether it be through grants or ways to prop up businesses through their IP and then a rewards lead who is focused on how can we bring in additional benefits to holding a Doodle. They have been live since the top of May and right now are developing the processes for how approvals come in, what the approval process looks like, effectively what are our guidelines and what we're looking to support, our budgets overall per quarter and then have also been fielding questions and feedback from the community. So it's been great. They serve multiple roles in addition to just their remit, given their different titles. They're also really our first line of taking in feedback and doing product reviews.
Austin: They're all under NDA and really have a clear sense of where we're going. So it's been great to be able to build with the community in that way but our intention is that in pretty short order, like within call it the next few weeks, we want to get these processes out to the community for feedback and start taking in the first set of proposals. We also really love the nouns model of like the prop house RFP, so for things that we know we need to do as a company, but we want to be able to empower the community to be able to help build with us we effectively want to have bounties that we can put out there, whether it be to create content or create merchandise or whatever the case may be, have it be more of a two way street than just reactively taking in proposals. We're we're moving really quickly. I'm literally in a Slack channel with with the council right now as they're giving me all of their weekend updates but it's been progressing and hope to have more for the community soon.
I'm curious to see how you guys do it. I think we've noticed that you need a processes onboarding and kind of filtering and then also controlling budgets and you sometimes see proposals that are grossly overestimated so being smart about allocation, making it efficient etc
Austin: It's a great point to illustrate and we are very fortunate with the few individuals we have as Treasurer and the grants lead. John Shank, who is our Treasurer was a CFO for a large corporation for a long time and really focused on having a balanced budget. How do we ultimately bring additional funds into the bank and what are the checkpoints over time? So instead of distributing all those funds up once, how do we ensure that we're getting the necessary reporting and then Eyal who is our grand lead has actually run incubators in the past and ensuring that we have the right checks and balances as we're deploying that capital to ensure what you just said doesn't happen, that we're not put in a situation where we're deploying funds and we're not seeing the direct action that's being taken against them.
Does it mean that there are no more pop ups this year or are there also some plans to keep going with the pop ups or other plans?
Julian: It definitely does not mean no pop ups. That's core to our DNA and it's also such an incredible onboarding opportunity, when we went to Something In The Water festival, Pharrel's festival in Virginia Beach, there were so many spokes to that partnership where we basically brought a 30 by 30 space. We sold the new collaboration that we had on site with ice cream. So all these people now have Doodles products that were there and bought the merchandise and right next to that was kind of a live demo of Doodles2 where we were able to capture people's emails so we can send them marketing after the fact. We got a few thousand emails at that activation, we sold a bunch of merchandise and we basically introduced a lot of people to the brand and on the other side of it like, okay, what does that do for the holder apart from growing the ecosystem, which we do find pretty valuable to ultimately Doodle holders and our entire ecosystem but we were able to secure 50 tickets that we gave to the community for free in a raffle and they were VIP tickets. They were super close to the stage, there were credits involved in them and for the people that went, it was a really awesome experience and then the other piece is that when you talk about creators in our community. JKB, Juicy, Kat, Sammy. I'm not sure how familiar any of you are with them, but they're very prominent members of our community.
They've been around for a very long time. They basically started their own media brand based on their Doodles PFP's and this is the second time that we've actually had them kind of live blog and create content on behalf of Doodles at the actual festival. So you saw them kind of do like A day in the life with Doodles and JKB, taking content of like festival goers, the stages, the experiences and then distributing that stuff, on Twitter and their other social channels. So it was a really cool thing that we could do for creators in our space and what I'll say kind of directly answer your question is, Something In The Water was just the first festival thing that we've done this year. We're going to show up at other music festivals. We're going to continue to do live events and what we built for something in the water was an activation that can travel a lot more easily. So South by Southwest, Art Basel, those things were very hard to pack up and repurpose, we have aspects of that, but this new activation that we've built, we can actually ship it from place to place and we can continue to add on to it depending on the actual activation itself. So festivals will always be and other live events will always be a way to drive utility for holders and also onboard new people into the ecosystem.
Julian: Doodles is about fun, man. We want to color the world with joy. We want everybody to feel the vibes and it's incredible to work on it every day. It's hard keeping things a secret, it's painful sometimes.
Can you tell me anything about the Pharrell album? I understand it's with Columbia, who are part of Sony Music. Is there anything you can kind of say on the project and when that could be landing?
Julian: Sure. So the album's not actually going to roll out as a traditional album where there's like a bunch of songs they're going to roll out. It's going to roll out kind of song by song and more as a platform on a perpetual basis. Columbia is going to distribute the music and I don't want to give too much detail because there's going to be a lot of hype in the reveal but you're going to see things like a music video set in the Doodles universe featuring whatever artist is going to be on it. Pharrell curated or produced tracks. Collectibles that are paired both physical and digital with the actual music itself and wide distribution so the songs are going to be on Spotify, Amazon, YouTube, radio, etcetera. So that's kind of how it's going to come to life and if you looked at Pharrell as a Doodle and Pharrell coming into the Doodles universe as a character, imagine some of your favorite artists coming into the Doodles universe as a character too. It's going to be a pretty eclectic mix of artists and it's going to roll out again, like I said, over time. That really is all I can say at the moment, but we'll update everybody as soon as we possibly can. All I can tell you is it's going to be fire.
You guys recently made an amazing acquisition with GoldenWolf Studios. Can we expect more animations and stuff on the Socials? What's the sort of direction with Golden Wolf and how did that come about?
Julian: That's a great question. So we acquired Golden Wolf back in January. They are an Emmy nominated creative studio. They're one of the most highly regarded animation studios in the world. Lot of brand notoriety from them in the entire animation industry. The goal, if you think of what Doodles is, there's a term in media called transmedia and that essentially means you tell stories on different channels, right? So different channels means you could be telling stories through live events, you could be telling stories through the distribution of toys, you could be telling stories through social media, you could be telling stories at the box office with a big film and the whole point is, you're not trying to fit one story or one thing for each of those channels that have very unique characteristics from a distribution standpoint. So Doodles is the kind of brand that needs to tell stories across all of these channels and meet people where they are, where they're actually spending their time versus trying to put the same thing out across the board. So GoldenWolf, which is very much specializes in social content and brand identity in advertisement. They're an incredible partner to keep kind of the always on content flow pumping out for Doodles, which is just starting to ramp up now and at the same time, with all the incredible creators, plus Scott and the people that we're working with in the traditional entertainment industry, bringing the actual story together, the universe that is Doodles, who the characters are, what adventures they go on, what is the backstory? What's the conflict?
Golden Wolf, Scott and a few others are actually developing that now and that is going to manifest itself through all of our content, through all of our product, all of our storytelling opportunities, while we're also developing long form content. So what does Doodles look like as a streaming television show or a motion picture? How does Doodles go into music videos like Golden Wolf is going to produce the music videos. So from a creative standpoint, we have, in my opinion, the best creative studio in the world, developing Doodles content and brand and I'll just say we just started the integration recently, there's kind of been really nothing yet. We've gotten started. It's been amazing, but there's so much coming from Golden Wolf soon and then I'd say on the flip side, Golden Wolf being in Web3 is not an insignificant thing either. So yes, it's amazing that they're going to help develop the Doodles IP but Golden Wolf has a lot of other ideas that NFT's and blockchain technology could be a really great format for incubating that IP or bringing new stories to life and new projects to market and leveraging the tech in new ways and Ingi who founded that company ten years ago is one of the smartest guys in the entire space, he's a true innovator, leaned into tech really leaning into AI tooling and how that can help Doodles as a business, how that can help the whole animation industry as a business. So we're just kind of seeing a little fruit from that partnership right now, but it's going to continue to grow pretty, pretty significantly from there. We really do have a crazy, talented team like Scott and then also Sammy and Alfie. There's so many brilliant creatives at Golden Wolf, and you'll get to know a lot of them soon.
Have you guys made any made any new key hires or are you guys planning to make some key hires to kind of push this forward?
Julian: We kind of wrapped up the majority of our hiring after our head of business and legal affairs came into the company about a month or so ago. I mean, we're at 60 people right now across Doodles and Golden Wolf, so we're pretty staffed well, there's some more product and engineering resources that we're going to be bringing in so we can be quicker to market with a few things but I'd say we're pretty well staffed at this point.
So to build on top of what you've said, I was wondering if you guys could give us any insights into the Doodles culture, the work culture.
Julian: I love that question. So we just opened an office in Miami a couple months ago. Our team is distributed, so we have some people that are remote. We have some people that are here in Miami. We have an office in New York. We have an office in London and again, there are people that are remote. So for the people that are in Miami, the office is pretty awesome. It's got a pretty, pretty cool view. It's right in a really good area of the city and when you walk in, it's very much neutral tones and colors and things like that and then we make the space pop with product that we have. So there's vinyls all over the office. We bring other IP into the office like we have this gold Mickey Mouse that that Jordan donated, it was a Fantasia Mickey Mouse with him holding a Bitcoin instead of a magic ball, just a lot of different artists and IP that we respect to try and inspire some creativity in the space. We have this really cool synthesizer that Evan got made, where people come in, play it. It's actually like a Doodles synthesizer.
We have a merchandise kind of like retail display. We have all of our statues on display. So you can check out our brand, learn a little bit more about us. We also have this pretty cool ice cream set up like actual ice cream and then the New York office couldn't be a different vibe. It's more of a grunge studio, true artsy vibe and then it's the same kind of thing in London in Shoreditch. The original GoldenWolf office.
It's awesome. I think what we're trying to bring to life is the inspiration of creativity and trying to emulate a lot of the incredible IP that we respect so much and we do remote work sessions, so we try and bring people all together, at least once or twice a quarter so we can all get those creative juices flowing, build relationships with each other because if we're going to truly be a community outside of the company, we got to be one internally first so it's been really cool trying to build the culture here and I think we've been doing a pretty good job.
I'm wondering for future pop ups or activations or installations that you guys are having, will there be places where people can actively onboard into the community, whether that's Doodles2 or the original collection?
Julian: Definitely at what I'll call Non-endemic to Doodles stuff, so festivals and more consumer facing events. The reason why we showed up at South by Southwest and Art Basel last year was because we were this really hot Web3 brand in a sea of some of the biggest companies and brands in the world. Whereas as when you go to the when you go to the NFT events, you're like the headline. Right? I think the opportunity to gain notoriety in those environments is really a big opportunity, but it's also an opportunity to bring your holders close to the action that all the influencers of the world, are part of. So when Doodle throws the massive event at Art Basel and it's like one of the tickets of the weekend and our holders are the VIP entrance into that thing we're going to continue to do stuff like that. We really love that concept and at the same hand, use that opportunity to bring new people into the brand. The goal right now is to onboard, people into kind of like information gathering until the stoodio product is actually out of beta. So we're collecting emails so we can retarget these people and make sure that they understand who we are, what we're doing, etcetera so that's kind of the strategy for us.

From the horses mouth
Rollout began May 16th 2023, should be available to the majority of if not all users by now. To use, select from the menu: file>page setup>pageless. Now your headings are collapsible and nesting.
As someone who hates onenote and uses google suite pretty frequently I'm very pleased - this has been my biggest complaint with docs for years - the absence of this single feature prevented me from worldbuilding there. Hope this makes somebodies day like it did mine!

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I have 2 dogs: a 13 y/o pitbull and a 5 y/o pitbull coonhound mix. As long as I’ve had them, they’ve been city dogs, only experiencing rabbits and squirrels regularly with the occasional raccoon or fox. We just moved to an area in which coyote sightings are inevitable, whether that be in broad daylight or at night. We also hear them howling when sirens go by. My 13 y/o shows signs of aggression (lunging and occasionally growling and barking) towards larger dogs and other animals (fox, deer, raccoons, etc.) and my 5 y/o kind of just follows suit of the older one….but otherwise is indifferent and less vocal during walks. I’m used to walking them at dusk and dawn, however, with the coyote’s presence, I’m not very comfortable nor confident I will handle confrontations exactly how I’m supposed to. I’ve read that they can be naturally avoidant of humans but have also been know to take advantage of small dogs and/or older dogs and respond differently depending on the circumstances. My main concern is my older dog not being respectful of their territory or simply being protective of me and my other dog. I’ve seen them during the day and that doesn’t bother me as much, but I have yet to take my dogs on walks when it is dark with fear of stumbling across one and having a negative interaction. Any tips to ease my anxiety about confrontation? Should I just try to walk them during daylight hours when negative confrontations are less likely? Also never seen a bobcat and not expecting to, but any tips for those interactions are appreciated!